With one announcement we got confirmations for films that will either exclusively play in Toronto or will hit either Telluride and/or Venice just prior....
Strange Way of Life
Pedro Almodóvar has been challenging himself as of late moving away from what could be repetitiveness and a certain complacency by...
Sugar Pop Electric: Almereyda Gets Inventive with Curio Biopic
If one is familiar with the filmography of Michael Almereyda, one should already know when approaching...
Yolo in NOLA: RZA Battles Corruption Post-Katrina in Stifled Neo-Noir
The multi-faceted artist RZA returns to the director’s seat for the third time with Cut...
I Remember Mama: Kore-eda Anoints Deneuve as a Diva in Pleasurable Drama
A subtle exercise in the limited reality of both perspective and memory, auteur...
The most acquisitions and distributor launch-pad friendly section of the festival, the Premieres category had some big ticket items in Nisha Ganatra's Late Night,...
The Truth
Fresh off his 2018 Palme d’Or winning Shoplifters (review), prolific Japanese auteur Hirokazu Kore-eda continues his perennial output with his latest project, The Truth,...
Through a Glass Starkly: Schrader Delivers a Master Study on Despair and Extremism
Priests, and their psychic struggle with obligation to the cloth, have always...
Last year's section of sixteen included such gems as Beach Rats (Directing Award), Brigsby Bear, Ingrid Goes West (Waldo Salt Screenwriting Award), Golden Exits...
The cornerstone of Richard Linklater’s filmography (no, not Boyhood) finally assumes a space in the Criterion Collection, the auteur now proliferating the label with...
Director Richard Linklater managed in cinematic first in 2014 when he unveiled his long gestating project Boyhood, which filmed over the course of twelve...
New York I Love You: Berman & Pulcini’s Schmaltz Soaked Latest
Nostalgia, especially in large doses, tends to hobble the authenticity of a text, whether...
East Village Ennui: Coming of Age Story Displaced, Too Hip For Own Good
A coming of age narrative comprised of the familiar: teen angst, frustration,...
Fatal Irony: Is There Anything Good About This Kill?
Nearly two decades after collaborating on the shrewd and subtly realized sci-fi allegory, Gattaca, Ethan Hawke...
Riot This Way: Almeryeda Back to Contemporizing Shakespeare
While many were quick to critique director Michael Almereyda’s Y2K update of Shakespeare’s most notable play, Hamlet,...
The Nominations: Best Supporting Actor
Robert Duvall in “The Judge”
Ethan Hawke in “Boyhood”
Edward Norton in “Birdman or (The Unexpected Virtue of Ignorance)”
Mark Ruffalo in “Foxcatcher”
J.K....
Adjustment Bureau: The Spierig Bros. Resuscitate Heinlein’s Dime Store Sci-Fi
Though it gets off to an idle, clunky start, the Spierig Bros, an Australian directing...
Who can forget 2003 when filmmaker-duo Shari Springer Berman & Robert Pulcini landed at Sundance with a highly inventive biopic, a seminal film really...
Deemed as his career best, Richard Linklater's Boyhood leads all nominations for the 24th Gotham Independent Film Awards with winks in the Best Feature,...
About a Boy: Linklater’s Unique Experiment a Mostly Enjoyable Endeavor
An experience that is as enhanced by the aura of its experimental nature as it...
Boyhood
Director: Richard Linklater
Writer: Linklater
Producers: Cathleen Sutherland and Anne Walker-McBay
U.S. Distributor: IFC Films
Cast: Ellar Salmon, Ethan Hawke and Patricia Arquette
A nod to Truffaut's Antoine Doinel...