Tag: Foreign Film Review

Welcome to the Punch | Review

Knockout Loss: Creevy’s Sophomore Effort Easy and Breezy After crafting his 2008 Riz Ahmed starring debut Shifty from personal experiences, director Eran Creevy turns to...

Renoir | Review

The Talent Family: Bourdos Abandons Genre for Elegant Biographical Period Piece A summer signifying the encroaching end of one artist and the birth of another...

Mental | Review

Mixed Nuts: Hogan’s Latest a Welcome Return to Roots After almost two decades knocking around the studio system after the success of his 1994 hit...

New World | Review

Operation Rehash: Hoon-jung’s Sophomore Film Glossy Entertainment Director Park Hoon-jung, perhaps best known for his screenplays for a pair of 2010 titles like The Unjust,...

My Brother the Devil | Review

Better the Devil You Know: Hosaini’s Debut a Vibrant Urban Street Drama Sally El Hosaini’s directorial debut, My Brother the Devil, takes the overly familiar...

Hunky Dory | Review

Satisfactory Endeavor: Evans’ Latest Enjoyable Fluff Welsh director Marc Evans explores 1970’s rural Wales with his latest film, Hunky Dory, following his 2010 film Patagonia....

Starbuck | Review

Light Roast: Scott’s Sophomore Success a Breezy Crowd Pleaser Canadian filmmaker Ken Scott managed to make a funny and heartfelt crowd pleaser with his 2011...

Criterion Collection: Ministry of Fear | Blu-ray Review

Fritz Lang aficionados can rejoice this month with Criterion’s release of his 1944 title, Ministry of Fear, the first time it sees a DVD...

Beyond the Hills | Review

Stalemate: Mungiu follows up Palme d'Or Winner with Intense Religious Stand-off Five years have passed since Romanian director Cristian Mungiu's critically acclaimed 4 Months, 3...

From Up On Poppy Hill | Review

Kids On A Bike: Goro's Seaside Sophomore Effort Floats Being the son of animation’s unequivocal living master who’s body of work ranks among the greatest...

Upside Down | Review

Down and Out: Solanas’ Latest Lost in its Own Concept For his latest film Upside Down, a French Canadian production from director Juan Diego Solanas,...

The Silence | Review

History of Violence: Odar’s Debut a Sweaty, Slow Burn Swiss director Baran Bo Odar adapts Jan Costin Wagner’s novel The Silence for his film debut,...

In Fear | Review

Fear Me Not: Lovering Terrorizes Our Time, Not Our Senses in Feature Debut After working quite regularly in television since the mid 90s, British director...

The Sweeney | Review

You’re Nicked: Love’s Latest a Resurrection of Classic Franchise After a successful classic UK series and two appreciated film versions from the late 70s, director...

The Condemned | Review

Sins of the Past: Buso-Garcia’s Sophomore Feature a Familiar Exercise Returning with his first feature since his 1999 debut Paging Emma, Puerto Rican writer-director Roberto...

Inescapable | Review

Inexorable Void: Nada’s Latest an Ineffectively Staged Political Thriller Following a quietly effective 2009 romantic drama, Cairo Time, which featured a touching and gently handled...

The Berlin File | Review

Cold War Kids: Seung-wan’s Latest a Sprawlingly Plotted Encounter with Communism For his first non-Korean set film, top notch action director Ryoo Seung-wan’s latest film,...

As Luck Would Have It | Review

The Spark of Life: Iglesia’s Latest a Soap Opera Soap Box Following on the heels of his successful 2010 award winner The Last Circus,...

Heleno | Review

Fantasy Fútbol Turned Nightmare: Santoro Brings Bravura As we all know, the brightest stars often burn out far faster than your average Joe, especially when...

[REC] 3: Genesis | Review

Beginning of the End: Third Installment in Spanish Horror Series Morphs Into Banal Comedy Every successful franchise eventually runs into a final chapter that miserably...

2012 LAFF: The Banishment | Review

Retrieved from Exile: Zvyagintsev’s Dismissed Sophomore Effort a Neglected Masterpiece Newly minted Russian auteur Andrei Zvyagintsev’s second feature, 2007’s maligned The Banishment, has been resurrected...

Elena | Review

A Touch of Class: Zvyagintsev’s latest slow burn reaches a masterful boil. Over the past decade, one of the most celebrated new filmmakers to come...

The ABCs of Death | Review

Sing ‘em With Me: Ambitious Horror Anthology Overreaches Itself Nearly every anthology film ever made suffers from the same predicament in that there are usually...

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The Voice of Hind Rajab | Review

In a Child’s Name: Ben Hania’s Grueling Portrait of...

Interview: Óliver Laxe – Sirāt (2025 Marrakech International Film Festival)

Óliver Laxe has been on a whirlwind promotional tour...

Interview: Akinola Davies Jr. – My Father’s Shadow

Before he began his maiden voyage into Cannes (being...