Sundance 2020’s narrative slate is filled with a stellar list of incumbents returning after initial Sundance breakthroughs: Dee Rees, Eliza Hittman, Justin Simien, Carlos...
Among the sixteen narrative feature films announced today all vying for Grand Jury Prize Award we have highly anticipated items from Janicza Bravo (Zola),...
The Owners
French television director Julius Berg moved into feature filmmaking with Game of Thrones Maisie Williams toplining the English language tale about a group...
Artistic ambition, hierarchy within matriarchy, heightened psychosis and hormonal pushback act as a sort of microfibre in a dramedy about the individual being a product...
Eric Lavallee: Name me three of your favorite “2017 discoveries”.
Josephine Decker: We Have Always Lived in the Castle by Shirley Jackson (book), Giant, 1956...
Some have complained that Sundance 2018 was a lackluster festival: largely devoid of masterpieces—with few blockbuster sales. I have a different gripe. As always,...
Madeline's Madeline
We slotted Josephine Decker's Madeline's Madeline at the number #24 slot, but post-Sundance, we sort of wished we had ranked this masterwork (no...
Composer Keegan DeWitt has been dethroned. The reigning, heavy weight champion of Park City (who usually arrives with a half dozen offerings) loses out...
Youth in Revolt: Betzer’s Inexplicable Road Movie an Assortment of Prominent Instances
Director Andrew T. Betzer manages to concoct an impressively pronounced feature debut with...