Joy Pain Club: Matsumoto’s Latest Insistent Weirdness Uneven
After his delightful if belabored 2007 debut Big Man Japan put him on the map, director Hitoshi...
The Brothers Ben Find Supernal Solace On The Fringe
There are creative collaborations and there are perfect unions. The newly born cinematic relationship between experimental...
My Afternoon With Maud’s Money: Breillat’s Most Personal Film Showcases Huppert
Catherine Breillat leaves behind the series of Grimm’s fairy tales she was adapting and...
Sapphic Sillies: Sivertson & McKee’s Latest Lacks Spirit
Lucky McKee and Chris Sivertson, old college friends and now notably notorious film directors (though for different...
Shapiro Follows Honey Trail; Enigmatic Shavitz is the Bee's Knees
The bearded-face of Burt’s Bees, a pioneering company in the commodification of “all-natural” personal care,...
Paul Has Precision But Less Purpose Than Steadman
Anyone familiar with Hunter S. Thompson surely knows the work of his gonzo visual counterpart, Ralph Steadman....
Lady Liars and Psycho-sexual Thrills; Zach Parker's Proxy is a Rocky Ride
Countless blockbusters have used and abused the idea of doppelgängers and surrogates, but...
Singapore Slump: Economics Brushed Aside in Chen's Gem Debut
In his autobiographical debut Ilo Ilo, young Singaporean helmer Anthony Chen delivers a beautifully simple story...
Female Perversion: Glazer’s Latest a Strange, Hypnotic Exploration of the Body Feminine
It’s been over a decade now since Jonathan Glazer’s exciting and strange sophomore...
Miyazaki’s Swan Song A Somber Flight Of Fancy
Earlier this month, legendary animator Hayao Miyazaki, writer and director of such masterpieces as Spirited Away, Castle...
Return to the Void: Lanzmann Resurrects Murmelstein
Claude Lanzmann’s unfathomable devotion to exposing the truths of the Holocaust is incomparable in the history of cinema....
Suffer the Children: Wells' Adaptation Enjoyable Camp, Hinges on Grandiose Performances
When something sounds too good to be true, it often is, and while John...
In Plain Sight: Great Expectations for Fiennes' Sophomore Effort
After his brash, testosterone-fueled directorial debut Coriolanus, Ralph Fiennes fares far better with the quieter, chest-heaving illicit...
There's No Place Like Home; Macdonald Pulled By Too Many Strings
This polished as his docu-work, Kevin Macdonald's fourth fiction feature is a little bit...
AZT & Sympathy: Vallee’s Drama Banks on Unforgettable Performances
Cinematic portrayals of the onset of the AIDS crises have always been a bit nipped and...
Reliving Dehumanization: McQueen Lenses Masterpiece of Repressed American History
For Steve McQueen, filmmaking has been a hard edged exercise in emotional archeology, burrowing into the...
Alfonso Aims For Stars: Breaks Cinematic Barriers
A Little Princess now seems light years away, but let go of the groundbreaking visual wonder that skyrockets...
Caring & Killing: Reichardt Attempts Eco-Thriller
There is a lovable minimalism about the films of Kelly Reichardt, a sense of environmental awareness and personal disorientation...
Journey to the West Side: The Heartbreaking Work of Sensitive Genius
Lost Persons Area premiered at Cannes as the first in an unfinished trilogy from...
I Think I Got Yours: Marsh’s Latest a Simple Heist Thriller
Considering its locale, its budget, and enjoyably committed performances, South African filmmaker Donovan Marsh’s...
Copy Creature: Kren’s Sophomore Feature a Hybrid Derivative
Following his Berlin set zombie debut Rammbock, Austrian director Marvin Kren returns with The Station, an eco-horror-ish...
Loose Caboose: Uchitel’s Latest Clings to Convention
Russian director Alexey Uchitel returns with Break Loose, a romantically tinged period piece crime drama that’s nicely packaged,...
The Unbearable Heaviness of Mark Phinney and His Feature Debut
The struggle of “living large” is an exhausted subject of reality television, but truly tapping...
Lost Highway: Sen Returns With Racially Charged Thriller
Celebrated Australian director Ivan Sen returns with his fourth feature, Mystery Road, a brooding murder mystery set...
Keaton-esque Amelie (or Whimsical Pianist)
French director Sylvain Chomet has delighted audiences with his droll animated films The Triplets of Belleville and The Illusionist, earning...
Trap of the Human Heart: Qu’s Debut a Sinister Slow Boil
Boy spies beautiful girl while engaged in rote work activities. Boy becomes fascinated with...
Finding Out True Love Is Blind: Karukoski’s Latest Tackles Vehement Racial Tensions
Rising Finnish director Dome Karukoski follows up his hit 2010 comedy Lapland Odyssey...
I'm the same I'm an other - Caroline Strubbe
Section: Wavelengths
Dates: Monday 9th, Tuesday 10th, Friday 13th
Buzz: Belgium might be best known for their brewing...
Til Madness Do Us Part - Wang Bing
Section: Wavelengths
Dates: Saturday 7th, Monday 9th, Sunday 15th
Buzz: Outside of film programmers I don't know of many...
The Unknown Known - Errol Morris
Section: TIFF Docs
Dates: Sunday 8th, Tuesday 10th
Buzz: Following the Telluride-Venice-Toronto trajectory, it's perhaps the turn-off subject of the film...
Blue Ruin - Jeremy Saulnier
Section: Vanguard
Dates: Monday 9th, Wednesday 11th
Buzz: We've yet to see Jeremy Saulnier's 2008 debut film (Murder Party), but we're guessing...
Horns - Alexandre Aja
Section: Vanguard
Dates: Friday 6th, Sunday 8th
Buzz: Parisian "Splat Pack" director Alexandre Aja is well-recognized by gore hungry cineastes and mainstream filmgoers...
Tim's Vermeer - Teller
Section: TIFF Docs
Dates: Thursday 5th, Friday 6th
Buzz: Teller is known to household audiences worldwide as the silent half of the magician...
Bethlehem - Yuval Adler
Section: Discovery
Dates: Monday 9th, Wednesday 11th, Sunday 15th
Buzz: While a novice at directing (this is his first feature), Yuval Adler's rumoured...
September - Penny Panayotopoulou
Section: City to City
Dates: Sunday 8th, Monday 9th
Buzz: Penny Panayotopoulou’s debut film Hard Goodbyes: My Father was warmly received at TIFF...
Title - Filmmaker
Section: Contemporary World Cinema
Times: Monday 9th, Wednesday 11th, Sunday 15th
Buzz: Best known to North American audiences as the screenwriter of Spielberg faves...
Charlie Siskel & John Maloof's Finding Vivian Maier
Section: TIFF Docs
Dates: Monday 9th, Tuesday 10th
Buzz: In the case of Finding Vivian Maier, pedigree is not...
Stephen Brown - The Sea
Section: Contemporary World Cinema
Dates: Saturday 7th, Sunday 8th, Friday 13th
Buzz: While The Sea marks the directorial debut of Stephen Brown,...
Hotell - Lisa Langseth
Section: Contemporary World Cinema
Dates: Friday 6th, Sunday 8th, Sunday 15th
Buzz: For her feature debut Pure (2009), Lisa Langseth was awarded the...
Philipp Gröning's The Police Officer’s Wife
Section: Wavelengths
Dates: Tuesday 10, Thursday 12, Saturday 14
Buzz: Despite early sour reactions from across the pond, Philip Gröning’s latest...