Tag: 2018 Toronto International Film Festival

In Fabric | Review

Dress to Kill: Strickland Strikes Again in Luscious Homage to 70s Cinema “Dress shabbily and they remember the dress; dress impeccably and they remember the...

Our Time | Review

Love Like Poison: Reygadas Returns with Frustrating but Forthright Marital Drama Interminable? Yes. Navel-gazing? Perhaps. But furious in its candor? Absolutely. Carlos Reygadas returns for...

Non-Fiction | Review

The French Publisher’s Wife: Assayas Straddles Digital Criminals and Corporate Cannibals in Playful Bon Mot Hardly a stranger to the back room wheeling and dealing...

High Life | Review

An Outpost of Progress: Denis Gets Daring with Esoteric Sci-Fi Of Claire Denis’ impressive English language debut High Life, perhaps a famous line from Alien...

Gloria Bell | Review

I Think They Know Her Alias: Lelio Revisits His Breakout Title with English Language Remake Chilean auteur Sebastian Lelio, who recently took home an Academy...

Greta | Review

She Will Always Beat You: Huppert Get Homicidal in Jordan’s B-Thriller There’s more than one way to depend on the kindness of strangers, including using...

Hotel by the River | Review

Heartbreak Hotel: Estrangement and Reunion Synchronize in Latest Sangsoo Slice of Life It’s a short-lived distinction to be called the latest anything from South Korean...

Touch Me Not | Review

Touch All This Skin: Pintilie’s Hybrid Sexcapade Explores the Fleeting, Obscure Nature of Intimacy With her narrative debut Touch Me Not, Romanian director Adina Pintilie...

Destroyer | Review

Sabotage Triage: Kusama and Kidman Break the Bank in Riveting Revenge Thriller Robert Burns’ eternal line “The best laid schemes o’ Mice an’ Men/Gang aft...

If Beale Street Could Talk | Review

I Can Feel the Beale: Jenkins Does Justice to Classic Baldwin Novel Following his history making Best Picture winner Moonlight, stakes are set high for...

Halloween | Review

To Grandmother’s House We Go: Green Succeeds with Obedient Resurrection of the Carpenter Classic The original tagline for John Carpenter’s 1978 horror classic Halloween, which...

Off Set 2018 TIFF Portrait Series: Sibel

Our final portrait before we go "mute", Franco-Turkish filmmaker team Çagla Zencirci and Guillaume Giovanetti made their way from Locarno Film Fest into TIFF's...

Off Set 2018 TIFF Portrait Series: Saf

Filmmaker Ali Vatansever arrived at TIFF (a Discovery programme selection) with his sophomore film --- a feature that our Nicholas Bell suggested "should be classified as...

Off Set 2018 TIFF Portrait Series: Blind Spot

With acting and filmmaking in her blood, is was perhaps only a matter of time when Tuva Novotny would make the move behind the...

Off Set 2018 TIFF Portrait Series: The Fireflies Are Gone (La disparition des lucioles)

An official selection at the Karlovy Vary, Sébastien Pilote's The Fireflies Are Gone (La disparition des lucioles) would receive its North American showcase at...

Off Set 2018 TIFF Portrait Series: Twin Flower (Fiore Gemello)

Italian helmer Laura Luchetti's coming-of-ager both pairs and juxtaposes the harshness and beauty of the backdrop with the realities of displacement, running towards and away...

Off Set 2018 TIFF Portrait Series: In Fabric

It was a major coup for TIFF to nab the world premiere for Peter Strickland's fourth feature film. Selected for the Midnight Madness programme, In...

Off Set 2018 TIFF Portrait Series: The Good Girls

Her feature debut Semana Santa was selected for the 2015 edition of TIFF, and so it was a special homecoming of sorts for her...

Off Set 2018 TIFF Portrait Series: Mothers’ Instinct (Duelles)

A dozen years after he premiered his directorial debut in Cages (2006) at the Toronto Intl. Film Festival, Olivier Masset-Depasse reteamed with his muse Anne...

Off Set 2018 TIFF Portrait Series: Maya

In a creative spurt that will have given us give her seminal film Things to Come (review) in 2016, the TIFF world preemed Maya (2018)...

Off Set 2018 TIFF Portrait Series: Float Like a Butterfly

Receiving some major acknowledgment in the form of the FIPRESCI​ Prize at TIFF (a Discovery Programme prize), Carmel Winters’ sophomore project comes eight years...

Off Set 2018 TIFF Portrait Series: Vita & Virginia

My favorite sub-genre in cinema happens to be films about filmmaking and second place, before the biopic, are films about the lives of authors,...

Off Set 2018 TIFF Portrait Series: The Chambermaid

This year's TIFF presented two portraits about Mexico's working class. We have Alfonso Cuaron's take and then we have theatre director turned filmmaker Lila...

Off Set 2018 TIFF Portrait Series: Before the Frost

Making it two for two, with the premiere of Before the Frost following 2017's Papillon as TIFF premieres, Michael Noer landed in Toronto with players...

Off Set 2018 TIFF Portrait Series: Phoenix (Føniks)

Up until the inception of the naughts, Camilla Strøm Henriksen was a face we'd find on television and she would parlay this experience in front of...

Off Set 2018 TIFF Portrait Series: Hidden Man

We first discovered Jiang Wen in Zhang Yimou’s Red Sorghum (1988), and so it was with a certain delight when TIFF announced that Yimou’s...