De Winter of Our Discontent: Wheatley Wavers with Empty Remake of Du Maurier Classic
Remaking a property which was previously adapted by none other than...
Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? In 2018, Mark Jackson launched his third feature...
Rebecca
A decade into feature filmmaking and Ben Wheatley has taken it upon himself to remake Alfred Hitchcock’s 1940 classic Rebecca, which won the Best...
We sat with filmmaker Peter Strickland following the premiere of his latest film In Fabric at the 2018 Toronto International Film Festival. Strickland shares...
Dress to Kill: Strickland Strikes Again in Luscious Homage to 70s Cinema
“Dress shabbily and they remember the dress; dress impeccably and they remember the...
While we look forward to a plentiful 2019 as far as foreign cinema is concerned (of which we highlighted #300-151 and our countdown #150-1 to anticipate...
New Year’s Evil: Wheatley Finds Humanity Amid Caustic Bickering
Shapeshifting his way along a varied filmography, Ben Wheatley is back after the tongue-in-cheek gunplay bonanza...
Gunfight at Boston, MA: Wheatley’s Portrait of a Vicious Shootout
Massachusetts, 1970s. More precisely, the docks of Boston, where plans for a weapons trade at...
Looking towards the Lido, we’re just over three months away before the fourth quarter Fall Festival circuit kick off, and the final prestigious competition...
Free Fire
Director: Ben Wheatley
Writers: Ben Wheatley, Amy Jump
British director Ben Wheatley returns with his sixth feature, Free Fire, after amassing a wildly popular following...
After premiering at the 2014 Toronto International Film Festival, Peter Strickland's third feature The Duke of Burgundy went on to a limited theatrical release...
Closer to the Gods: Cult Author Meets Cult Director in Wheatley’s Latest Dish
Destined to be overlooked as a visually impressive but significant creative failure,...
The TIFF folks have unveiled their slated dozen features for their spanking brand new competitive section and they've managed to lasso some high profile...
With the world’s most prestigious film festival just around the corner, cineastes have been lasciviously salivating about what’s going to show up at Cannes,...
The Body and the Whip: Strickland’s Sublime Homage to Erotic Cinema
Beginning like something that should have been called Exploits of a Chambermaid, replete with...
High Rise
Director: Ben Wheatley// Writer: Amy Jump
The fast moving and increasingly prolific Ben Wheatley commands a significant following after only four incredibly well received...
Freakshift
Director: Ben Wheatley
Writer: Ben Wheatley
Producers: Claire Jones, Andrew Starke
U.S. Distributor: Right Available
Cast: Unknown
While the frequently working Wheatley announced this would be his next film,...
Michel Gondry's Mood Indigo (L’écume des jours) was a surprise no-show in Cannes this year (his film debuted theatrically in France the previous month)...
A Field in England
Director: Ben Wheatley
Writer(s): Wheatley & Amy Jump
Producer(s): Claire Jones, Andrew Starke
U.S. Distributor: Rights Available
Cast: Julian Barratt, Reece Shearsmith, Michael Smiley
In three...
Sundance announced it's Spotlight program selections today, which consists of plum titles that have enjoyed prestigious premieres at other festivals from the year before....
Sing ‘em With Me: Ambitious Horror Anthology Overreaches Itself
Nearly every anthology film ever made suffers from the same predicament in that there are usually...