And here we have it. It's called Drive-Away Dolls. It's dropping on September 22nd. Telluride, Venice Film Festival and TIFF programmers have their tasers...
Thank You for Choking: Ruskin Explores the Sordid Politics Behind Infamous Serial Killing Case
The tribulations of femininity in the fourth estate anchors Boston Strangler,...
Hermes’ Hermits: Greengrass Finds Humanity in the Crevices of Revisionist Western
Home is where the hope is, rather than the heart, and there’s nary much...
Far From Heaven: Haynes Mounts Modest Environmental Drama
In the oft-prestigious subgenre of environmental thrillers, particularly those detailing the grossly inhuman actions of powerful...
(Not So) Good Times: Johnson Stumbles with Modern Homage to Richard Wright
Marrying historical contexts to modern aesthetics is often an arresting avenue for consideration,...
Last year's section of sixteen included such gems as Beach Rats (Directing Award), Brigsby Bear, Ingrid Goes West (Waldo Salt Screenwriting Award), Golden Exits...
Once all the "dust" settled from the Venice and TIFF program announcements, the 2017 film festival calendar hourglass pretty much confirmed that Paul Dano's...
The Dear Hunter: Lanthimos Flatlines with Terse Revenge Fantasy
There’s no arguing the unique capabilities of Greek Weird Wave alum Yorgos Lanthimos, who broke out...
Bullets Over Broadway: Inarritu’s Vibrant, Exuberant Portrait Of Celebrity, Relevance, and Creative Passion
Not only is Birdman (or The Virtue of Ignorance) arguably the best...