Sundance programmers looking to add some funny bone component to the line-up might be looking towards Aussie, L.A. based filmmaker Alethea Jones' female-centric comedy....
Having creatively immersed himself as a docu producer and direct on a handful of MTV's True Life Series,
Carlos Puga first broke into Sundance with his...
Regifted Goods: Waters Takes the Reigns for Unnecessary Sequel
There’s an art to vulgar comedy, requiring a sly talent for successfully presenting off color humor...
It's been a long decade plus wait since Christopher Dillon Quinn's Sundance Grand Jury Prize/Audience Award winning God Grew Tired of Us (2006) disarmed...
Don't have to look far out into Sundance's past for samples of the docu form being challenged, incinerated and invigorated. While Kate Plays Christine...
An early collaborator with filmmaker phenom Ryan Coogler (he would associate produce Fruitvale Station aka Fruitvale), we're not sure when Netflix gave their vote...
As detailed by the filmmaker/nofilmschool.com Founding Editor himself, it was no easy task to land a coveted Sundance institute spot but not unlike perfecting your...
City and small town folk colliding come full circle again as the writer of Junebug (Indie Spirits nominated Best First Screenplay) proposes a conflict of interest in another...
As a producer for Evan Glodell's Bellflower, filmmaker Vincent Grashaw certainly knows what it takes to get into Sundance and perhaps banking on the...
Shot in NYC exactly one year to date, for his directorial debut, actor, playwright and now filmmaker Brian Shoaf landed Zachary Quinto, Jenny Slate and Jon...
Gunfight at Boston, MA: Wheatley’s Portrait of a Vicious Shootout
Massachusetts, 1970s. More precisely, the docks of Boston, where plans for a weapons trade at...
In Nicholas Bell's sit down with the distinguished French actress Isabelle Huppert, who is currently promoting the U.S. release of Paul Verhoeven's Elle, we...
The Fire Last Time: Lonergan’s Austere Portrait of Razed Emotions in Chilly New England
Kenneth Lonergan musters yet another masterful portrait of pervasive trauma with...
Walk the Line: Lee’s Technological Prowess Yearns for More Than Earnest Wartime Narrative Can Deliver
For his first venture since 2012 Oscar winner Life of...
Happy-Go-Lucky: Locy’s Odd, High-Spirited Portrait of a Scam Artist
A mere glance at the extensive list of executive producers (which includes David Gordon Green, Jody...
Losing Her Religion: Verhoeven Directs a Fearless Huppert in Provocative Psychological Thriller
Arriving with a knotty snarl of perverse commentary, Dutch auteur Paul Verhoeven proves...
Future Perfect: Villeneuve Crafts a Poetic Close Encounter
Using language and communication as a fertile metaphor, Denis Villeneuve situates complex ideas into streamlined composition with...
Do You Hear What I Hear?: Talbert’s Holiday Themed Dramedy Features Talented Cast in Contrived Scenario
One of several connotations with the popularized subgenre of...
Moving further away from his Harry Potter persona with a trio of three immensely dissimilar films in 2016, actor Daniel Radcliffe’s anxiety laced performance...
Continuing our annual tradition of highlighting US auteurs who’ve lapsed into an unplanned or unpredictable hiatus, we’re recounting another ten notable filmmakers who have...
Busty Black Magic: Biller’s Feminist Sexploitation Cinema
Serving as a satire on pulp serials and brimming with all of the elements that would make Russ...
Hot in Cleveland: Schrader Returns with Gritty, Entertaining Crime Drama
The dog days aren’t over, or so it would seem in director Paul Schrader’s glorious...
Trash Humping: Bates Deliver Unkempt Dysfunctional Family Thriller
Director Richard Bates Jr. cuts a bit too deeply with third feature Trash Fire, a film which...
How do ya Like them Cucumbers?: Manasseri Offers Kosher Silliness
Potentially could be considered in the same food produce aisle subgenre as Veggie Tales, Michael...
United States of Love: Nichols Falters with Hokey Prestige Picture
In 1967, the United States Supreme Court made a landmark civil rights decision with Loving...
Full Metal Hacksaw: Gibson Returns to the Director’s Seat for an Anti-War Film
Perhaps it was only inevitable to find actor-turned-director-turned-showbiz pariah Mel Gibson tackle...
Time After Time: More Snark, Less Spark in Derrickson’s Entry into the Marvelverse
Marvel introduces their approximation of the mystical realm with their unleashing of...
Among the NEXT section titles that landed at this year's Sundance Film Fest, the micro-budgeted NEXT Audience Award winning puppy love in the crosshairs...
Breaking the Taboo: Andrews’ Courageous Analysis of an Agonizing Affair
A young woman confronts her predator after an interval of fifteen years in the taut...
In Remembrance of Loves Past: Klinger’s Quiet Meditation on Romance, Time & Memory
Two foreigners stumble upon a chance encounter and spend an intimate evening together...