IONCINEMA.com’s IONCINEPHILE of the Month feature focuses on an emerging filmmaker from the world of cinema. For those keeping tabs on emerging indie talents,...
Born of a Small Town: Droz Tragos & Droz Palermo Regard Three Boys Living With Ingrained Poverty and Troubled Pedigree
With increasing frequency, documentary filmmakers...
In a Word: Pulchritude
Buried in Cannes' most unassuming and roundly ignored sidebar, ACID (an acronym for what translates to "The Association for the Distribution...
Requiem for a Cave Man: Franco’s McCarthy Adaptation Displays Growth
On a similar directorial trajectory as, let’s say, Joe Swanberg, where quality vs. quantity tends...
Growing Pains: Lund’s Debut a Gem of Behavioral Regression
The long hard road to growing up and accepting responsibility takes the center stage in Martin...
Trials of Faith Without Error; Glesson’s Good Priest Suffers for Sins of the Fathers
Two years after The Guard, the most commercially successful Irish film...
Erik Skjoldbjaerg’s 1997 directorial debut, Insomnia is a prescient prototype of what would now be termed Nordic Noir in today’s global film market. At...
For director Petra Costa, filmmaking is more than just an artistic expression, but an opportunity for intensely personal emotional dissection. With her most recent...
Kill or Be Killed: Krauss Meticulously Reassesses the Situation
Part courtroom drama, part frontline footage film contextualized by Morris-esque investigative interviews with those on trial...
The Boyfriend Experience: Foner’s Directorial Debut a Derivative Shard
Screenwriter Naomi Foner makes her directorial debut with Very Good Girls, though her preceding reputation...
In the Sky With Diamonds: Besson’s Latest a Crock of Crack-pot Sci-Fi
It’s rather a shame to report that Luc Besson’s latest directorial effort, Lucy,...
Perks of Using the Star System: Tognazzi’s Tale a Tad Too Familiar
Maria Sole Tognazzi, daughter of famed actor/director Ugo Tognazzi, visits the mid-life crisis...
As far as pulpy vintage courtroom dramas go, Billy Wilder’s 1957 adaptation of Agatha Christie’s famed play, Witness for the Prosecution, is hard to...
Hocus Pocus: Allen’s Latest a Re-hash of All-Too-Familiar Themes
Returning once more to the world of psychics and magicians to inform his breezy comedic styling,...
Chef Mate: Cohen’s Poke at the Restaurant World Written for Fast Food Mentality
Connoisseurs of world food porn will perhaps take keen interest in the...
Anywhere But Here: Braff’s Kickstarter Baby a Painstaking Smog of Forced Emotion
It’s hard to believe a decade has passed since actor Zach Braff’s directorial...
Fanny Feast: Auteuil’s Underwhelming Trilogy Continues
The mid-section of his Pagnol tribute, Fanny promises to give us the female perspective in the crossed lover’s situation...
Devil’s Due: Satan is an Equal Opportunity Baby Snatcher in Thorndike’s Debut
Credited as a ‘sinister ode to Rosemary’s Baby’ (though, there probably is no...
About a Boy: Linklater’s Unique Experiment a Mostly Enjoyable Endeavor
An experience that is as enhanced by the aura of its experimental nature as it...
Sporting their own traditional Icelandic sweater (known as the lopapeysa), I had the chance to sit down with Land Ho! creative pair Martha Stephens & Aaron Katz...
Lost in Translation: Chaumeil’s English Language Debut a Wretched Operation
While his 2010 feature debut, Heartbreaker, which starred Vanessa Paradis and Romain Duris, managed to...
Cage Against the Machine: Cabezas’ English Debut Labors Through Borrowed Themes
Playing like the cheap echo of David Cronenberg’s A History of Violence, director Paco...
You’re Horrible, Marius: Auteuil’s Next Stop on the Pagnol Train
At the very least, actor Daniel Auteuil’s return to the director’s seat with the first...
Tammy Girl: Falcone’s Debut a Tepid Turkey
Rex Reed might have been better served to save his wayward disparagements about the cinematic talents of Melissa...
Unhappy Together: Bertolucci’s Muted Return to the Director’s Seat
Seemingly against the odds, wheelchair bound Bernardo Bertolucci arrives with his first directorial effort, Me and...
Cannibal - Manuel Martin Cuenca
Limited Release & VOD – July 25th
Distributor: Film Movement
Awards & Fests: Selected for the 2013 Toronto Int. Film Festival, this...
Land Ho! – Aaron Katz & Martha Stephens
Limited Release – July 11th
Distributor: Sony Pictures Classics
Awards & Fests: Announced as a sleeper hit acquisition at...
Boyhood – Richard Linklater
Limited Release – July 11th
Distributor: IFC Films
Awards & Fests: It had it's unofficial premiere at Sundance, official showing in Berlin (Linklater won...
We Are Gathered Here Today To Reconsider: Block Delves Into The Meaning of Marriage Via 20 Years of Wedding Videography
Over the years, director Doug...
Come Undone: Wain’s Cliché Buster Episodically Funny
Every now and then, director David Wain delivers a great film with his certain brand of offbeat humor...
Hell Frozen Over: Joon-Ho’s Dystopic Thrill Ride an Arresting Examination of Cold Humanity
His first feature film since 2009’s Mother, as well as his English...
How To Save a Life: Carney’s Anticipated American Film a Pleasantly Loveable
Though trudging through a somewhat ungainly and slightly anachronistic set-up, John Carney’s latest,...
In a Child’s Name: Mehta’s Sophomore Film a Gripping Ordeal
Following up on his 2007 debut, Amal, Toronto based filmmaker Richie Mehta returns to Delhi...
Scenes From a Marriage: Troell’s Latest an Engrossing Character Study
Swedish auteur Jan Troell, at 81, is thankfully still making films, and his latest, The...
Mighty Aphrodite: Polanski Returns With Spirited Adaptation
The once quite reticent Roman Polanski quickly returns with yet another adaptation of a popular Broadway play, Venus...