Lady Beard: Serebrennikov Delivers Extravagant Recuperation of a Woman Undone
Pyotr Ilyich Tchaikovsky, one of the 19th century’s most prolific composers, whose music remains an...
Dead in Red: Bellocchio Returns to Infamous Kidnapping for Television Debut
In his continuation in recuperating fantastical elements of Italian political and criminal history, Marco...
Yesterday we took a look at Nicholas Bell's top 5 most anticipated films for Cannes 2022. Now it's my turn.
Competition:
R.M.N.
He usually takes about a...
Carey Williams’ Emergency—with a script by KD Davila, adapted from Williams’ 2018 Sundance short—won the coveted Waldo Salt Screenwriting Award at Sundance ’22 …...
Get Them to the Greek: Madden Traipses Lightly Through Factual WWII Espionage
Despite it’s presentation as a frothy pseudo-comedy, the events transpiring in John...
Frammartino Digs Deep, But Barely Scratches the Surface
Michelangelo Frammartino’s Il Buco (“The Hole”) is a meditative journey into the center of the earth,...
Lance Edmands is finally set to direct his sophomore feature and he'll have Scoot McNairy, Jack Reynor and Emily Browning's moral compasses all misaligned...
Finally it will be Léa Drucker in the driver's seat (and not the originally attached Valeria Bruni Tedeschi) in Catherine Breillat's now titled L'été...
All About Steve: Raimi Returns with Pandering Franchise Fodder
While Marvel may have bombarded us into cultural submission through mainstream audience infatuation and growing critical...
In the Fog Mirror: Vasyanovych Punishes with Numbing Exercise on War & Trauma
Following up on his international breakout, Atlantis (2019), Ukrainian director Valentyn Vasyanovych...
The Discomfort of Strangers: Trocker Collapses Paranoia and Perspectives in Brooding Familial Drama
Communication, when you really think about it, is all but impossible. Words...
She’s Pure as New York Snow: Bourgeois-Tacquet Charms in Effortless, Effective Comedy
With her unexpectedly charming debut, Anaïs in Love, director Charline Bourgeois-Tacquet presents the...
All That We See or Seem: Noe Delivers Devastation Through the Definitiveness of Death
There’s no pleasure to be had, whatsoever, in the experiencing...
Still Liam: Campbell Eclipsed by the Neeson Blueprint in Middling Thriller
Now over a decade into the perennial routine of a yearly (sometimes quarterly) B-grade...
I Never Sang for My Mother: Azuelos Mines Own Experiences for Dynamic Melodrama
Presenting a narrative partially autobiographical in nature with her latest film, I...
Guilt By Aviation: Gozlan Delivers Intrigue with Paranoia Tinged Tech Thriller
Director Yann Gozlan returns to the realm of social pariahs in his fourth...
The Egg & I: Bergholm Births Straightforward Tween Body Horror
Finland’s Hanna Bergholm makes a splash with her interesting, if ultimately one-note debut, Hatching,...
Bird on a Wire: Rebane Resurrects a Familiar Stymied Love Affair in Absurd Melodrama
Over a century ago, Lord Alfred Douglas coined the euphonious phrase...
Screen Daily reports that Brit writer-director Luna Carmoon has begun production on her directorial debut and has enlisted the likes of Laura Lightfoot Leon,...
We're learning that Vietnamese-born French filmmaker Tran Anh Hung is well into production on what is his seventh feature film. Entering his fourth decade,...
The Goya Next Door: Michell’s Swan Song a Slender Thread of Anti-authoritarianism
We’re primed to believe in the importance of a film whenever we’re greeted...
The Cage Bird Sings: Gormican Gifts Nic Cage Meta Fan Fiction in Jaunty Caper
Not since Spike Jonze’s send-up of John Malkovich’s pomposity in Being...
One can’t dig too deep in Japan’s cinematic catalogue without confronting the talents of Kinuyo Tanaka. History has chosen to favor Tanaka’s career as...
Critics' Week made their line-up public yesterday. Directors' Fortnight topper Paolo Moretti mentioned that there is one title from Asia that they are still...
We learned that Cannes and Venice winning filmmaker Michel Franco was possibly circling the country of Poland for his next project. Well, the filmmaker...
Unless you're in business class, the airline industry is keen on making your flying experience in a miserable one. Continuing with his fascination for...
The likes of first-time comp contenders Kelly Reichardt, Ali Abbasi and Lucas Dhont are joining former Palme d'Or winners Ruben Östlund, Kore-eda Hirokazu, the...
The best film from Sundance (Shaunak Sen's All That Breathes), the film that Sundance lost (Michel Hazanvicius' Final Cut), Quentin Dupieux's second film to...
Shellfish People: Rigo de Righi & Matteo Zoppis Craft Unique Narrative Steeped in Oral Tradition
For their directorial debut The Tale of King Crab, directors...
Same Old Song & Angst: Audiard Misfires with Millennial Love Tugs
Jacques Audiard turns to youth culture amour fou with his latest feature, Paris, 13th...
The Face of Another: Lemercier Normalizes Weird Choices in Bizarre Biopic
Like something novel born out of a 30 Rock satire (remember the unauthorized Janis...
Venice’s Critics’ Week, Berlinale and Locarno filmmaker Stéphane Demoustier is set to begin production on his fourth feature film which will film in May...