Tag: Aaron L. Gilbert

Licorice Pizza [Video Review]

Age is just a number but when you're a teen at footsteps of what are unattainable gates to adulthood it could feel like entire...

House of Gucci [Video Review]

One of rare breed of studio directors who effectively captures pageantry and opulence no matter the epoque the narrative is set in, social...

2022 Sundance Film Festival Predictions: Anthony Mandler’s Surrounded

With an already amazing track record as a music video helmer / television commercial director Anthony Mandler saw his debut feature film Monster break...

Needle in a Timestack | Review

Stye of the Needle: Ridley Can’t Thread Conceptual Sci-Fi Time travel is tricky, especially when trying to effectively demonstrate its parameters and ramifications in narrative...

Those Who Wish Me Dead [Video Review]

The Fire This Time: Sheridan’s Neo-Western Arrives Lifeless, Overbaked Casting is an important part of the filmmaking process, and sometimes the highest profile celebrity...

Monster [Video Review]

Fait Accompli: Mandler Mines the Gray Zone of Truth and Consequences While more of an interesting conversation piece than the accomplished melodrama it deserves to...

Interview: Jeffrey Wright & A$AP Rocky – Anthony Mandler’s Monster

Acting mainstay Jeffrey Wright jumps between mainstream and indie productions like it’s his job. In fact, it is: Wright’s résumé includes Broadway (Angels in...

Interview: Kelvin Harrison Jr. – Anthony Mandler’s Monster

Kelvin Harrison Jr. first came to Sundance with Birth of a Nation in 2016, then Oscar-nominated Mudbound in 2017. This past year, he was...

Interview: Producers Tonya Lewis Lee, Nikki Silver, Mike Jackson, Daniel Crown & Yoni Liebling – Anthony Mandler’s Monster

Sundance ’18 crowd-favorite Monster tells the agonizing tale of a 17-year-old honors student in a racially-charged legal battle. Adapted from Walter Dean Meyers’ award-winning...

Pieces of a Woman | Review

Brink of Life: Mundruczó Hunts for the Grace in Grief with English Language Debut One of Hungary’s most prolific arthouse auteurs of the last decade...

2021 Sundance Film Festival Predictions: Barry Levinson’s Harry Haft

Despite the Covid, I'm surprised that this biopic directed by the always busy veteran helmer Barry Levinson didn't shore up at some fest in...

Greyhound | Review

Showboating: Schneider Sinks Ships with WWII Historical Action Cinema is littered with war-time submarine action epics, a claustrophobic setting which taps into universal anxieties and...

Capone | Review

Gonzo Fonzo: Trank Returns with Tone Poem Portrait of a Monster The figure of Chicago mobster Al Capone has long been a mythical figure resurrected...

The Way Back | Review

Whisky Galore: Affleck Shines in Character Study on Regret & Retribution Reception theory often dictates a morbid confluence when consuming entertainment which reflects a kernel...

Joker | 2019 Toronto Intl. Film Festival Review

The Day the Clown Cried: Phillips Tries to Provoke the Herd in Adult Comic Book Origin Story As another cinematic iteration of the eponymous Joker...

The Mule | Review

Two Kilos for Sister Sara: Eastwood Delivers Drugs and Good Deeds in Character Drama In a role perfectly suited for him, and in what may...

2019 Sundance Film Festival Predictions: #70. Gideon Raff – The Red Sea Diving Resort

Perhaps in the same programming methodology as when Sundance included Brad Anderson's Beirut in their 2018 line-up, STX will get to launch Gideon Raff's...

2019 Sundance Film Festival Predictions: #61. Jennifer Kent – The Nightingale

Sundance was a major launch pad for Jennifer Kent's The Babadook and it could be the lieu for the US premiere (nabbing one of...

2019 Sundance Film Festival Predictions: #27. Josh Trank – Fonzo

It's time to say goodbye to the De Niro Capone touch from The Untouchables. A meatier, bulkier project that would certainly rev up Sundance audiences,...

Top 100 Most Anticipated American Indie Films of 2018: #76. Sam Levinson’s Assassination Nation

Assassination Nation Sam Levinson offered us one of the best films of 2011 with his directorial debut --- we called it “a bitter, nasty, angry film about...

2018 Sundance Film Festival Predictions: Jennifer Kent’s The Nightingale

A filmmaker who needs no introduction, the award-winning The Babadook (among our top 20 for 2014) is among the upper echelon titles that premiered at...

2018 Sundance Film Festival Predictions: Debra Granik’s My Abandonment

We likened her to Kelly Reichardt with a cinema that should sprout internationally and so we were genuinely surprised when she didn't drop into...

2018 Sundance Film Festival Predictions: Sam Levinson’s Assassination Nation

It's been a long seven years between features for Sam Levinson. Having started his film career with one of the best films from 2011...

2016 Sundance Film Festival Predictions: Gary Michael Schultz’s Vincent-N-Roxxy

Half a dozen shorts, one unheard of horror feature film offering (2013's Devil In My Ride) and several indie producing creds most recently William...

2016 Sundance Film Festival Predictions: Benedict Andrews’ Una

Sundance has always been a great launching pad for new breakout talents. Rooney Mara saw her first major part in film was as a...

2016 Sundance Film Festival Predictions: William H. Macy’s The Layover

Best known for his stumbling car salesman and poor choice of a husband in the Coen Bros's Fargo, in his almost four decade career William...

2016 Sundance Film Festival Predictions: Brady Corbet’s The Childhood of a Leader

If included, it would count as one of the rare Venice preemed North American premiere debuts and uncommon 35mm treats at the fest. After...

Miss Julie | Review

Touch of Class: Ullmann’s Update of Classic Text Ultimately Lifeless There are a scant few equals to the texts of playwright August Strindberg’s, his 1888...

2015 Sundance Film Festival Predictions: Reed Morano’s Meadowland

A staple of the Sundance Film Festival since Courtney Hunt's Frozen River in '08, her Park City premiered filmography as a cinematographer was followed by...

2015 Sundance Film Festival Predictions: Bobby Miller’s The Master Cleanse

After more than a decade of working in the short form (this includes the 2010 Sundance hit TUB - see below), Bobby Miller landed...

Tracking Shot: Van Sant, Doremus, Guadagnino & Reed Morano Shooting This August

“Tracking Shot” is a monthly featurette here on IONCINEMA.com that looks at a dozen or so projects that are moments away from lensing (or...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.