Tag: Brian Kavanaugh-Jones
2024 Sundance Film Festival Predictions: Oz Perkins’ Longlegs
A little bit of an oddball project that the folks at NEON would end up grabbing shortly after the film completed production in February...
Monday [Video Review]
Wish It Were Sunday: Papadimitropoulos Peddles Bad Romance in Ex-Pat Whirligig
Toxic relationships and fair-weather romances are abundantly attenuated in the cinematic realm, the various...
Shadow in the Cloud | Review
A Face in the Cloud: Liang Cruises on Kooky with WWII Sci-Fi
There’s something to be said for a bonkers mishmash of genre tones and...
Interview: Miles Joris-Peyrafitte – Dreamland
At age 23, Miles Joris-Peyrafitte won a Sundance Special Jury Prize for his first feature film, As You Are. Set in his Albany NY...
Bad Education | Review
A Touch of Class: Finley Explores Famed Embezzlement Scandal
Director Cory Finley revisits one of the education system’s most notorious scandals in Bad Education, an...
Interview: Alistair Banks Griffin – The Wolf Hour
For his sophomore feature, Alistair Banks Griffin proposes a phobia friendly transgressive and forbidding drama that makes strange bedfellows out of the process of...
The Wolf Hour | Review
Watts the Matter with Naomi?: Griffin Mines Madness in All-Consuming Character Study
Director Alistair Banks Griffin revisits one helluva hot summer in the city with...
2020 Sundance Film Festival: Justin Simien’s Bad Hair, David Bruckner’s The Night House & Bill Benz’s The Nowhere Inn in Midnight Section
Last year's Midnight section gave us Greener Grass, The Lodge and Sweetheart. In 2020, it appears that the section is more "worldly" with four...
Honey Boy | Review
Tears of a Clown: Har’el and LaBoeuf Exorcise Demons
Honey Boy is a shockingly personal movie where Shia LaBoeuf plays his own dad. If that...
Interview: Nia Dacosta – Little Woods
A New York-native, first time writer/director Nia DaCosta premiered her poignant family drama, Little Woods, on home turf at Tribeca 2018. Set in the...
Interview: Nia DaCosta – Little Woods | 2015 January Screenwriters Lab
Selected for the US Narrative Competition at the 2018 Tribeca Film Festival, we've been tracking Nia DaCosta's feature debut project since sitting down with...
Chad Hartigan Baits Jack O’Connell, Raul Castillo and Soko for ‘Little Fish’
Last week we reported that Chad Hartigan selected Blacklist screenplay Little Fish with Olivia Cooke attached, this week, THR reports that Jack O’Connell, Raul...
Eternal Sunshined: Chad Hartigan Infected by ‘Little Fish’
Sundance Waldo Salt Screenwriting Award winning filmmaker Chad Hartigan flirted with some various projects post Morris from America (2016), and now he is setting up shop...
Alistair Banks Griffin’s The Wolf Hour | 2019 Sundance Film Festival
Once again placing his player(s) through the ringer, Alistair Banks Griffin moves from outdoorsy existentialism and moral quicksand in (2011's Two Gates of Sleep)...
Alma Har’el’s Honey Boy | 2019 Sundance Film Festival
When life gives you lemons, make a feature film out of it. A union that came about by a mutual appreciation artistic sensibilities, Alma...
Top 100 Most Anticipated American Independent Films of 2019: #17. Cory Finley’s Bad Education
Bad Education
Moving from a brilliant dark comedy (Thoroughbreds) off campus mind-games to shark infested waters of the high school experience, for Cory Finley's sophomore...
Top 100 Most Anticipated American Independent Films of 2019: #23. Alistair Banks Griffin’s The Wolf Hour
The Wolf Hour
The highest ranked Sundance Film Festival selected item on our list belongs to Alistair Banks Griffin and his long awaited second feature...
Top 100 Most Anticipated American Independent Films of 2019: #24. Benedict Andrews’ Against All Enemies
Against All Enemies
Another highly anticipated sophomore feature in our countdown, Benedict Andrews expands the size of canvas moving from the duet in Una to...
Top 100 Most Anticipated American Independent Films of 2019: #26. Alma Har’el’s Honey Boy
Honey Boy
Not unlike Kitty Green, Alma Har’el moves from a pair of free flowing in form docu features in Bombay Beach and LoveTrue into a...
Top 150 Most Anticipated Foreign Films of 2019: #129. Monday – Argyris Papadimitropoulos
Monday
One of a handful of notable directors stepping out from the shadows of the Greek Weird Wave is Argyris Papadimitropoulos, who will present his...
Destroyer | Review
Sabotage Triage: Kusama and Kidman Break the Bank in Riveting Revenge Thriller
Robert Burns’ eternal line “The best laid schemes o’ Mice an’ Men/Gang aft...
2019 Sundance Film Festival Predictions: #99. Alistair Banks Griffin – The Wolf Hour
Shooting took place in November of 2017 on Alistair Banks Griffin's sophomore feature and a cast of Naomi Watts, Jennifer Ehle, Kelvin Harrison Jr.,...
2019 Sundance Film Festival Predictions: #33. Alma Har’el – Honey Boy
A fruitful creative collab that began with a music vid for Sigur Rós and added support for her sophomore film LoveTrue, Alma Har’el and...
2019 Sundance Film Festival Predictions: #4. Benedict Andrews – Against All Enemies
After making his debut entrance with Una (read our review), Australian theatre and filmmaker Benedict Andrews didn't waste much time moving directly into his sophomore gig with the...
Interview: Eva Vives – All About Nina
We sat down with first-time writer/director Eva Vives to discuss her Tribeca 2018 hit: the provocative love story All About Nina (interview below). Vives...
IONCINEPHILE of the Month: Eva Vives (All About Nina)
IONCINEMA.com’s IONCINEPHILE of the Month feature focuses on an emerging filmmaker from the world of cinema. This past April at the Tribeca Film Festival, Eva...
IONCINEPHILE of the Month: Eva Vives’ Top Ten Films of All Time List
Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly IONCINEPHILE profile, we...