After grabbing Cannes' Un Certain Regard preemed Oliver Laxe’s Fire Will Come earlier this month, the Brooklyn based distrib KimStim have gone back to...
A Bear to Care: Attanasio Scores Modest, Sincere Debut
Although lacking in originality and narrative energy, director Annabelle Attanasio more often than not makes up...
Far From Heaven: Haynes Mounts Modest Environmental Drama
In the oft-prestigious subgenre of environmental thrillers, particularly those detailing the grossly inhuman actions of powerful...
How does free will exist when moral responsibility, opportunity and happenstance constantly impede on an individual's further actions? Blending themes of attachment, addiction and...
The Owners
French television director Julius Berg moved into feature filmmaking with Game of Thrones Maisie Williams toplining the English language tale about a group...
Libertad
A burgeoning screenwriter on such films as 10,000 Km (2014) and Jaime Rosales' excellent Petra (2018), Clara Roquet workshopped this project at the 2019...
False Positive
Working mostly in television with the only exception being Pee-wee's Big Holiday, John Lee grabbed the director's chair for the March New Orleans...
Cuties
French filmmaker Maïmouna Doucouré already has deep ties to the Sundance Film Festival. She won the Global Filmmaking Award at the Sundance Film Festival...
Black Bear
Gabi on the Roof in July (2010) and 2014's Wild Canaries (review) filmmaker Lawrence Michael Levine landed the likes of Sarah Gadon, Aubrey...
No Rest for the Wicked: Flanagan Shines with Sprawling King Sequel
Director Mike Flanagan achieves the impossible with Doctor Sleep, a cohesive and effective sequel...
The Sorrows of Milf: Dyrholm Puts the Extra in Extra-Marital as the Star of el-Toukhy’s Uncomfortable Drama
Danish director May el-Toukhy crafts a compelling melodrama...
A Road Less Traveled: Lemmons Lionizes Historical Icon Harriet Tubman in Safe Biopic
As the arrival of the first theatrical feature to properly pay homage...
Benjamin Button-Man: Scorsese's Oldfellas Still Got It
A spiritual sequel to Goodfellas—with the black humor of The Wolf of Wall Street and the moral...
Lost in Translation: Lapid Languishes in Enigmatic, Complex Study on Cultural Identities
The rejection of self and the adoption of persona are prominent themes pouring...
Criterion re-releases the mordant directorial debut of Italian auteur Marco Bellocchio, Fists in the Pocket (1965), just as the perennial filmmaker ends his sixth...
Little Women: Tsotsorkova Poetic Study of Female Solidarity
Svetla Tsotsorkova’s assured sophomore feature proves that the Bulgarian filmmaker has an unparalleled eye for the raw,...
Rewriting History: Bereznakova Presents Fresh View on Two Decade Poli-Scandal
After working short documentaries, experimental and television film formats, Slovak director and video artist Barbora...
I Can Hear the Mermaids Singing: Eggers Unleashes a Hyper-Stylized Portrait of Nautical Madness
Virginia Woolf (who, having known something about the subject and its...
Criterion resurrects Ernst Lubitsch’s final completed film Cluny Brown (1946), a post-war comedy about pre-WWII class divisions in 1938 England. Headlined by Jennifer Jones,...
Minimizing Style to Maximize Effect: Levchenko Goes Deep in Russian Murder Drama
According to the Cambridge English Dictionary the curator is a person who is in...
Hidden Treasure: Jonynas Stages Greek Tragedy against Backdrop of Eastern Europe
A student of Krzysztof Zanussi, Lithuanian director Ignas Jonynas infuses his third feature film...
Walls of existence: Politics & Pettiness find a Way Through the Cracks of Everyday Life in Bulgarian Debut
Bulgarian duo Vesela Kazakova and Mina Mileva’s...
Pray the Lord My Soul To Take: Sandulescu’s Poignant and Witty Meditation on Mortality
Liviu Săndulescu’s Carturan is a tale about bribery, the uncaring bureaucratic...
Coming seven years after 2011's Sleeping Sickness (Schlafkrankheit) and his longest time off between features, after his feverish study of settler psychology in West...
Loosey Goosey: Hawley Gets Histrionic with Uneven Melodrama
At the end of Now, Voyager (1942) the chain-smoking Bette Davis delivers her iconic line to Paul...
Just in time for the film’s thirtieth anniversary, the Criterion Collection resurrects Spike Lee’s masterpiece Do the Right Thing with a 4K restoration for...
Criterion re-releases restorations of three Ingmar Bergman titles with A Trilogy by Ingmar Bergman, the collection’s first presentation of the Swedish auteurs works originally...
If You Seek Aimee: Buck & Schlingmann Resurrect a Fallen Angel
Directors Samantha Buck and Marie Schlingmann succeed with one overarching point in their indie-ensconced...
Fooling the Children of the Revolution: Morris Returns with Dark, Political Satire
Stakes are perhaps too high for writer-director Christopher Morris’s sophomore film following the...
No Glove No Love: Akin Revels in Garish Grotesqueries with Squalid Period Piece
Turkish-German director Fatih Akin resurrects the obscure German serial killer Fritz Honka...
IONCINEMA.com’s IONCINEPHILE of the Month feature focuses on an emerging creator from the world of cinema. This month, we feature Ognjen Glavonić who saw...