What first caught my attention when Edouard Waintrop announced the make-up of the 46th edition of the Directors' Fortnight (also known as La Quinzaine)...
Jane Campion. Sofia Coppola. Jia Zhangke. Nicolas Winding Refn. If ever there was a competing year that favored a more "personalized" avant-garde cinema, this...
A resounding flop upon its release, which saw it recut and rereleased as The Big Carnival without any greater success, Criterion remasters Billy Wilder’s...
Ghost Ship: Gandhi’s Debut an Enjoyably Philosophical Triptych
Finally seeing a release after its 2012 premiere, Anand Gandhi’s directorial debut, Ship of Theseus is an...
Of Forest and Folklore: Oreck Lenses Extraordinary Essay on Eastern European Relationship with Land and Myth
Recently, Jessica Oreck has been settling into a more...
Whether grappling with the horrific realities and scars left over from World War II or the capricious mental states of a lovelorn Parisian bourgeoisie,...
Paul Has Precision But Less Purpose Than Steadman
Anyone familiar with Hunter S. Thompson surely knows the work of his gonzo visual counterpart, Ralph Steadman....
River Runners: Knight & Rummel Ruminate On Damming Evidence
Just as directors Ben Knight and Travis Rummel’s Red Gold firmly yet astutely opposed the mining...
App of My Eye: Second Screen Technology Gets Double Dutch in Gimmicky Thriller
A film that will indubitably be remembered as a quaint first-wave exercise...
Kwan Finds Tradition and Trasfiguration in Chinatown
No major city is without a Chinatown, each with its own cast of colorful characters, their shops stocked...
But Your Picture On My Wall: Asante’s Sophomore Feature Revisits Compelling Historical Episode
A decade after her 2004 directorial debut, A Way of Life, director...
Birds of a Feather: Cassavetes’ Brings Generic Chops to Predictable Comedy
Long before the inevitable denouement of the vainglorious adulterer catalyzing the female frenzied revenge...
Mother Load: Kurys Revisits Plight of Parents in Post WWII France
For those familiar with the work of director Diane Kurys, the material that inspired...
Body Talk: Bernal & Silver’s Doc an Empathetic Experiment
A three pronged approach to uncovering the identity of an illegal immigrant’s corpse in the Arizona...
Walk to Remember: Schmidt’s Debut Sincere and Gawky
Director Mark Schmidt attempts to recount an obscure chronicle of WWII heroism to generally awkward effect, though,...
Now over a decade since its 2003 release, Kino Lorber is releasing the Lars Von Trier and Jorgen Leth experiment/documentary The Five Obstructions in...
Bruno Dumont finds a special place on the croisette to premiere his latest work (his television mini-series Li’l Quinquin) and Frederick Wiseman makes another...
Imitation of Life: James’ Sci-Fi Thriller Plumbs Dark Recesses of A.I.
While its ingenious ideas are sometimes marred by obvious budgetary limitations, director Caradog W....
Finger Food: Gaul’s Latest Effort Staunchly Unappetizing
Spanish filmmaker Roger Gaul (known for his 2002 debut, the co-directed Smoking Room) returns with this Irish co-produced...
Refurbished: Surnow’s Debut a Casserole of Cliché
Seasoned television writer and producer Joel Surnow makes his directorial debut with Small Time, based on an autobiographical...
Lady Liars and Psycho-sexual Thrills; Zach Parker's Proxy is a Rocky Ride
Countless blockbusters have used and abused the idea of doppelgängers and surrogates, but...
Pinch-hitting: Parker’s Latest as Surprising As it is Unwieldy
With a series of continuously improving indie horror thrillers under his belt, filmmaker Zack Parker launches...
The Computer Wore Tennis Shoes: Pfister’s Debut Oversteps Limited Reach
Hopes were perhaps set a bit too high for the directorial debut of Wally Pfister,...
With only hours ago before the official selection for the Main Competition is announced, we've narrowed our final predictions to the following titles that...