Undead Again: Snyder’s Zest for Zombies Revisited in Fun, Derivative Ensemble
Director Zack Snyder moves beyond the superhero universe following his anticipated enhancement of the...
The Fire This Time: Sheridan’s Neo-Western Arrives Lifeless, Overbaked
Casting is an important part of the filmmaking process, and sometimes the highest profile celebrity...
Spin Spin Murder: Bousman Returns to the Good Book in Franchise Tangent
There’s perhaps little glory in holding the distinction of being the ‘best’ entry...
Dial V for Voyeur: Wright Waxes Hitchcockian in Enjoyable Neo Noir
“Imitation is the sincerest form of flattery,” said Oscar Wilde, “that mediocrity can pay...
Repatriate Games: Sollima & Sheridan Opt for Clear & Present Danger with Tepid Clancy Adaptation
It’s so Clancy, you already know. Although we’ve seen resurgent...
Enter the Franchise: McQuoid Revives the Fisticuffs & Fantasies of Beloved Video Game
In the continual fluctuations of franchise reboots and revivals, the resurgence of...
Every Breath You Take: Penna Ponders Morality in Jittery Space Odyssey
“In space, no one can hear you scream,” a foreboding tagline of another sci-fi...
It’s the Journey, Not the Destination: Burger Hurtles into Space for Humanity’s Last Stand
Perhaps it’s not what Emerson envisioned, but the sentiment remains the...
The Florida Project: Wiig & Mumolo Wax Weird and Wacky in Bizarro Comedy
While we’ve grown accustomed to normalizing predictability in mainstream comedies, there’s still...
Only God Forgives: King Resurrects Fred Hampton in Significant, Unequivocal Portrait of Betrayal and Assassination
On December 4, 1969, Fred Hampton, chairman of the...
Caste Him If You Can: Bahrani Returns with Genre-Tinged Social Issue Saga
American filmmaker Ramin Bahrani remains an unpredictable cinematic master, a signature of his...
Android Schadenfreude: Hafstrom Soldiers to the Future with Familiar Agenda
Anthony Mackie is the computer who wore combat gear in Outside the Wire, the latest...
Tell-Tale Hearts: Liman Conjures a Time Capsule in Curious Cinematic Exercise
As cinematic content continues to unspool through premiering projects completed prior to the start...
Over the Borderline: Neeson Clashes with Customs and Cartels in Latest Thriller
By now a well-grooved subgenre unto itself, the Liam Neeson led cat-and-mouse carousel...
Hermes’ Hermits: Greengrass Finds Humanity in the Crevices of Revisionist Western
Home is where the hope is, rather than the heart, and there’s nary much...
Woman, Thou Art Deuced: Jenkins Misfires with Superficial Follow-Up in Ill-Fitting Retro Garb
The difficulty in presenting the affect of nostalgia is how reverence for...
World, Hold On: Clooney Presents the End Times in Tedious Apocalyptic Exercise
It’s been a year wherein it seems the end we’ve forever been pondering...
Monster Mash: Anderson Embarks on Another Video Game Franchise Starter
Continuing with his signature interests, the adaptation of video games, director Paul W.S. Anderson arrives...
Une Femme Est Une Femme: Taylor Tries Temptation in Derivative Neo-Noir
Infidelity, yet again, provides the impetus for a conveniently staged adult contemporary thriller from...
Double and Nothing: Babbit Blunders on Binary Barrymore
Jamie Babbit doubles down on Drew Barrymore for her sixth feature, The Stand In, a somewhat standard...
Dance Dance Revolution: Murphy’s Musical a Treacly Affair of the Sweet and Simple
It’s sugar and spice and everything nice in The Prom, Ryan Murphy’s...
Hearst & Foremost: Fincher Festoons the Neglected Glory of Herman Mankiewicz
The finicky methods of director David Fincher have themselves become nearly as iconic as...
Artificial Significance: Falcone & McCarthy Go Through Motions in Brainless Comedy
For some filmmakers and their muses, an entire body of output results in a...
Dial M for Munchausen: Chaganty Beams the Gaslight in Gratifying Sophomore Film
The sanctity of motherhood becomes a questionable axiomatic in Run, the sophomore film...
Harper’s Bizarre: DuVall Reinvents the Queerness of Holiday Traditions
Across a wide variety of genres and narratives, going home for the holidays, and the intended...
The Oh in Ohio: Howard Tries on Tragedy in Elementary Adaptation
The trouble with critiquing a personal memoir invites the danger of dismissing someone’s trauma,...
The Killer Inside Me: Landon Continues Recycled Tropes for Latest Buffet of Thrills and Kills
Director Christopher Landon, now a revered alum at Blumhouse Productions...
Witch Kitsch: Zemeckis Dons Dahl in Revamp of Stylish Cult Classic
Thirty years ago, Nicolas Roeg, one of cinema’s most innovative cinematographer-turned-auteurs, adapted the 1983...
De Winter of Our Discontent: Wheatley Wavers with Empty Remake of Du Maurier Classic
Remaking a property which was previously adapted by none other than...
Can’t Stop, Won’t Stop: Neeson Goes Nowhere in Another Derivative Offering
Every generation tends to spawn a golden year action star from an aging flock...
Suffer the Children: Hill Strikes Out with High Profile Kiddie Flick
Tim Hill seems to know something about entertaining children, especially when it involves animation...
Kangaroo Court: Sorkin Mounts a Famous Political Trial in Sophomore Feature
A project finally brought to fruition after bouncing around in developmental hell for over...
Woman is the Future of Man: Caro Adapts a Folklore Classic for Western Eyes
At first glance, Disney’s live-action reboot of Mulan, a long-gestating project...
Songs from an Empty Room: Parisot Resurrects Beloved Slackers for Nostalgic Trilogy Capper
There aren’t any nonsensical yet iconic duos from 1990s pop cinema who...
Speak Truth to Power: Schulman & Joost Present a Jagged Little Pill
Directing duo Ariel Schulman and Henry Joost continue their genre-tinged explorations of continually...
Despite of His Rage: Borte Bottlenecks with Brutal Thriller
Road rage finds a suitable vehicle in the latest film from director Derrick Borte, Unhinged, which...
Showboating: Schneider Sinks Ships with WWII Historical Action
Cinema is littered with war-time submarine action epics, a claustrophobic setting which taps into universal anxieties and...
No Man Could Be Their Equal: Prince-Bythewood Ponders Immortality with Graphic Novel Adaptation
Director Gina Prince-Bythewood’s fourth film is a marked departure from her previous...
King Without a Crown: Apatow Deifies Davidson in Latest Dramedy
For his sixth directorial outing, Judd Apatow continues with his method of building a narrative...