Enemy Mine: Zandvliet Explores the Casualties of War
Martin Zandvliet leaves behind the world of theater for his third feature, Land of Mine, a based...
Island of Lost Boys: Hadzihalilovic’s Triumphant Return to Enigmatic Filmmaking
French director Lucile Hadzihalilovic returns to the director’s seat for the first time since 2004’s...
A Dybbuk Got Your Baby: Wrona’s Atmospheric Blend of Horror and History
For his third feature, Marcin Wrona adapts Piotr Rowicki’s stage play Adherence into...
The Kindness of Stranglers: Norris Mounts Film Version of Macabre Musical
Those familiar with the infamous 2011 musical London Road should be pleased with this...
An Affair to Remember: Corsini’s Enjoyable, Brightly Hued Period Piece
Catherine Corsini returns with her ninth feature film, Summertime (La belle saison), an early 70s...
Sweet Emotion: Doremus Does Dystopia on Enjoyable, Recognizable Canvas
Emotions cannot be controlled, but they also cannot be allowed to control you. At least, that...
Two in One: Sang-soo’s Latest Delight Examines Outcomes and Possibilities
Prolific South Korean auteur Hong Sang-soo, who debuts annual films at various festivals every year,...
Sucked Dry: Bateman’s Portrait of Idiosyncratic Family Fails to Resonate
Actor Jason Bateman makes his sophomore directorial outing with the high profile The Family Fang,...
The Tail End: Mascaro’s Sophomore Feature a Strikingly Sensual Exhibition
For his sophomore directorial effort, Brazilian filmmaker Gabriel Mascaro examines a strange universe through his...
Hearts of Darkness: Guerra’s Exceptional Exploration of Ruinous Colonialization
Colombian director Ciro Guerra charts an enigmatic narrative of parallel odysseys through the Amazon with his...
Living Under Your Spotlight: Larrain Paints it Black with Catholic Crisis Comedy
For his first film following the finale of his narrative trilogy documenting the...
Re-Animators: Kaufman & Johnson Brilliantly Translates Kafkaesque 'Sound Play' From The Stage To Stop Motion
Springing from the mind that spewed an incredible string of transcendent work from Being...
The One You’re With: Haigh’s Superb Examination of Marriage and Things Left Unsaid
With imperceptible grace, 45 Years portrays the warping of a near half...
Face-off: Kent Jones Unpacks The Bible Of Auteur Interviews
It's kind of odd to think that the Cohen Media Group picked up Kent Jones' slickly produced...
Essay films rarely get as much attention as Laurie Anderson's Heart of a Dog as already attracted. The highly regarded performance artist and musician has long...
Of One’s Own: Abrahamson Delivers Emotionally Potent Adaptation
Irish director Lenny Abrahamson continues his trajectory of unpredictable cinematic platforms with his latest film, Room, an...
It’s the Limit: Berthaud Escapes into the Great Well Known
Actress turned director Fabienne Berthaud reunites with her favored on-screen counterpart Diane Kruger for her...
If These Walls Could Catcall: Khoo’s Sex Omnibus Fails to Tantalize
Singaporean auteur Eric Khoo returns with his latest feature, In the Room, a decades...
The Equality in Dying: Sollett’s Topical Gay Rights Issue Explores Yesterday’s Nightmares
Had a film like Freeheld been released in the late 2000s, shortly after...
In the nine consecutive years I’ve attended the Toronto International Film Festival, it remains an elusive monstrosity of an event. With its hundreds of...
A Girl in the World: Arbid’s Coming of Age Portrait Enhanced by Generous Lead
French director Danielle Arbid returns with Parisienne, her first feature since...
While TIFF festival programmers naturally like to boast, and some in the biz certainly consider the fest's People’s Choice Award as a good luck charm...
Closer to the Gods: Cult Author Meets Cult Director in Wheatley’s Latest Dish
Destined to be overlooked as a visually impressive but significant creative failure,...
Angst von der Angst: Concept Overrides Construction in Weak Psychological Metaphor
It’s evident a majority of the artistry that went into the conceptualization of Der Nachtmahr...
Invasion of the Baby Snatchers: McDonald’s Stillborn Halloween Horror
Starting off with a customary flourish of genre staples to set the mood, we gloss over...
On the Horizon of Redemption: Del Solar’s Impressive Debut a Historically Relevant Neo-Noir
The sins of the recent past infect Peruvian actor Salvador del Solar’s...
Alma Matters: Dulude-De Celles Yields Heartrending Results with Docu Debut
Following last year's Sundance award-winning selected fictional short La Coupe, Geneviève Dulude-De Celles makes her feature debut splash in...
Changeling Chronicles: Farr’s Eerie Debut a Duel of Deserving Motherhood
Screenwriter and playwright David Farr makes his directorial debut with The Ones Below, a psychological...
Epistemology of the Closet: Dunn’s Impressive Debut a Pronounced Portrait of Agitated Angst
Notable short filmmaker Stephen Dunn (Pop-up Porno, 2015) makes an impressive feature...
Samaritan Subterfuge: Masri’s Aggrandized Portrait of Political Metaphor
Portraits of women-in-prison have a long winding history in the annals of grindhouse and various exploitation cinema,...
Danish Modern: Hooper’s Painterly Costume Drama Mounted on a Glossy Stage
Much as last year’s The Imitation Game served to honor the memory and legacy...
Can a Song Save Your Life?: Caton-Jones’ Modest Return to Filmmaking
Scottish film director Michael Caton-Jones had a very prolific filmography in the 1990s thanks...
Passage Over India: Lelouch’s Romantic Dramedy an Overstuffed Pilgrimage
French auteur Claude Lelouch, now well into his seventies, maintains a prolific career, striding through a...
We're already gearing up for some TIFF presales with this one coming from the delicious Vanguard programme offerings. Deadline reports that Lucile Hadzihalilovic's long awaited...
The TIFF folks have unveiled their slated dozen features for their spanking brand new competitive section and they've managed to lasso some high profile...
As usual, the Masters programme is cholk-full of carryover items from world renowned auteurs who've already premiered last February (Berlin), this past May (Cannes)...