Mediterranea
Director: Jonas Carpignano // Writer: Jonas Carpignano
Formerly going by A Chjàna, the same title as the short film (see pic above) on which this...
Mon roi
Director: Maiwenn // Writers: Etienne Comar, Maiwenn
Actress turned director Maiwenn's last stint behind the camera won her the Jury Prize at Cannes 2011...
Three Memories of Childhood
Director: Arnaud Desplechin // Writer: Arnaud Desplechin
While we weren’t the greatest fans of Desplechin’s last film, 2013’s Jimmy P., which played...
The Treasure
Director: Corneliu Porumboiu // Writer: Corneliu Porumboiu
One of the frontrunners of the Romanian New Wave thanks to his 2006 debut 12:08 East of...
The Burglar
Director: Hagar Ben Asher // Writer: Hagar Ben Asher
Actress turned director Hagar Ben Asher’s first film, The Slut (2011) premiered at Cannes (we...
White People
Director: Lisa Aschan // Writer: Lisa Aschan
After nabbing several awards for her 2011 debut She Monkeys (see trailer below), Swedish director Lisa Aschan was...
Legend
Director: Brian Helgeland // Writer: Brian Helgeland
There was initially a lot of promise for writer turned director Brian Helgeland’s career, his directorial debut was...
En équilibre
Director: Denis Dercourt // Writer: Denis Dercourt
French director Denis Dercourt is generally underappreciated in the US, despite having helmed the superb 2006 film...
Altamira
Director: Hugh Hudson // Writers: Olivia Hetreed, José Luis López-Linares
Hudson, notably the director of 1981 Best Picture winner Chariots of Fire, hasn’t helmed a...
One Floor Below
Director: Radu Muntean // Writers: Radu Muntean, Rãzvan Rãdulescu, Alexandru Baciu.
With his four previous features, this Romanian director was flying under the...
Tordenskiold
Director: Henrik Ruben Genz // Writer: Erlend Loe
Danish director Genz is best known for his 2008 film Terribly Happy, which earned him comparison to...
A Simple Man
Director: Stephane Brize // Writer: Stephane Brize
This will be the sixth film from director Stephane Brize, perhaps best known for his Cesar...
Blitzkrieg Bop: Harper’s Demurely Serviceable Horror Sequel Revels in Cheap Thrills
Director James Watkins scored a sleeper hit with his 2012 sophomore film, The Woman...
Nicholas Bell's Top 20 films of 2014...
#20. Madeleine Olnek's The Foxy Merkins
#19. Damien Chazelle's Whiplash
#18. Gillian Robespierre's Obvious Child
#17. Jennifer Kent's The Babadook
#16. Adam...
Life of Quinquin: Dumont’s Foray into Miniseries Format Filled with His Brand of Peculiar Humor
Provocative auteur Bruno Dumont lets loose his comedic side with...
Wreckollect: Balaguero Returns to Famed Franchise for Gasping Final Chapter
The good news is that we’ve probably seen the last creative juice finally squeezed out...
Academy Awards
On December 2, the Academy of Motion Picture Arts and Sciences announced that they'd whittled down the 134 eligible documentary submissions to a 15 film...
Year of Living Stressfully: Chandor Returns with Slow-Boil Scald
Baby, it may be cold outside, but the climate’s sure changing in J.C. Chandor’s flashback to...
Run Rabbit Run: Jolie’s Grimly Serious POW Reenactment
Beautifully, if sometimes too glossily mounted, Angelina Jolie’s sophomore effort as a director, Unbroken, is too poker...
Vive La France!: Bozon Returns With a Strangeness
Actor turned director Serge Bozon is the most visible member of a small coterie of filmmakers operating...
Turnin’ the Beat Around: DuVernay’s Poignant, Passionate MLK Portrait Revitalizes Notions of Biopic
Eschewing what’s come to resemble a traditional route in downplaying both the...
On the Waterfront: Zvyagintsev’s Sprawling Opus of a Modern, Devouring Regime
Back with his fourth feature, Leviathan, Russian auteur Andrey Zvyagintsev succeeds in cinematic sublimity...
Kens and Dolls: Wyatt Revamps Toback Prose for the Plastic Age
Working steadfastly against the success of Rupert Wyatt’s up-do of The Gambler, which was...
Ask and You Shall Receive: Burnett’s Adaptation Buoyed By Arresting Performances
Landing somewhere on a spectrum of unraveling female adolescent prototypes that plays like one...
An Expected Finale: Jackson Brings Tolkien Saga to Thankful End
Upon reaching the end of Peter Jackson’s Hobbit trilogy with the third and final installment, renamed The Hobbit:...
The Vice is Right: Anderson’s Inherently Incoherent Pynchon Trip
For his seventh film, auteur Paul Thomas Anderson stakes a claim as the first filmmaker to...
Falling Down: Klein’s Debut Exploits Economic Realities for Mixed Crime Drama
Exploring the ravaged remnants of the façade once referred to as the American Dream,...
Dance, Fools, Dance: Performances Elevate Seidelman’s Stagnant Adaptation
Marking the fifth film collaboration between director Arthur Allan Seidelman and writer Richard Alfieri is Six Dance...
Todd Haynes receives his first entry in the Criterion collection with a beautiful restoration of his landmark 1995 sophomore feature, Safe, the film that launched...
Does Not Go Quietly: Schrader’s Latest Tampered Product
Veteran film director and screenwriter Paul Schrader just can’t seem to catch a break. Much like the...
Our favorite online curator have offered us an interactive map on some of the top Canadian film spotlights (from Canuck/poutine filmmaker types) available over at...
Band of Girls: Lavie’s Acerbic, Confident Debut
Exacerbated ennui is explored to comedic effect in Tayla Lavie’s striking directorial debut, Zero Motivation, which explores life...
A "Staple" Female-centric Portrait: Lavie Adds Dark Charm to Bureaucratic Military Milieu
With a subject so entrenched with weight and political correctness, there seems to...
Last year, it was Damien Chazelle's richly texturized, foot-tapping, finger-snapping sophomore pic Whiplash that instantly became the "it" film to beat in the sixteen competition...
Black to Basics: Binder’s Safely Bland Racial Message Movie
The latest film from actor/director/screenwriter Mike Binder, Black or White presents us with the possibility of...
We sat down with Polish director Krzysztof Zanussi at the 2014 Toronto International Film Festival after the premiere of his new film, Foreign Body....
Oil!: Skjoldbjaerg’s Latest an Icy Conspiracy Thriller
Norwegian director Erik Skjoldbjaerg has remained a hard director to peg ever since his celebrated 1997 debut, Insomnia,...
Touch of Class: Ullmann’s Update of Classic Text Ultimately Lifeless
There are a scant few equals to the texts of playwright August Strindberg’s, his 1888...
She’s the One: Fogel’s Debut a Top Tier Examination of Co-Dependent Friendship
Borrowing shades of autobiographical instances from their own lives, director Susanna Fogel and...
American Gigola: Olnek’s Hilarious Sophomore Film Reinvents the Masculine Realm of Hustler Bonding
Few filmmakers are able to successfully create a distinctly unique universe of...
Peaks and Vallée: Witherspoon Eats, Prays, Hikes
When Cheryl Strayed's memoir was released in 2012, the climate for gender politics was different. The book's popularity soared...