With unprecedented providence! Criterion re-releases Paul Schrader’s 1985 masterpiece Mishima: A Life in Four Chapters the same month the neglected auteur’s equally superb First...
Celebrating its fiftieth anniversary with a theatrical re-release of its restoration in late 2017, The Cohen Media Group resurrects the winning debut of Claude...
For a two-time Academy Award winning director, Frank Borzage remains one of the most neglected studio auteurs of Hollywood’s childhood, one of the few...
It’s difficult to approach Sergei Parajanov’s 1969 masterpiece The Color of Pomegranates without the permeation of the troubled history of both its reception and...
Director Roger Donaldson is one of those mainstream minded filmmakers whose body of work quickly and quietly dispelled his Australian origins. His glossy Hollywood...
Oft compared to British playwright Noel Coward (most likely because he’s the closest composite in the English-speaking hyper-articulate realm), France’s Sacha Guitry rose to...
Although it’s a rather libelous label often originated or thrust upon outré or idiosyncratic French directors, Britain’s Ken Russell is perhaps the epitome of...
It’s difficult to imagine how an adaptation of Henry Fielding’s celebrated eight-hundred page-plus 1749 novel The History of Tom Jones, A Foundling would be...
Although the title may put contemporary audiences in mind of Brett Haley’s 2017 Sam Elliott homage (which, coincidentally, shares many similar themes and motifs),...
This week’s edition of Tuesday Blus includes the following titles:
Henri-Georges Clouzot's Inferno (2009)
Film Review: ★★★½/☆☆☆☆☆
Disc Review: ★★★★/☆☆☆☆☆
After Dante Alighieri but before Dario Argento and...
A progressive call to unity between the historically at odds French and German cultures, G.W. Pabst’s 1931 classic Comradeship (Kameradschaft) which concerns a team...
Criterion taps into the first wave of sound films from iconic German director G.W. Pabst which solidified the auteur’s reputation (and successful crossover from...
This week’s edition of Tuesday Blus includes the following titles:
Intermezzo (1939)
Film Review: ★★★/☆☆☆☆☆
Disc Review: ★★★/☆☆☆☆☆
It’s a tale as old as time, more vintage than...
It was rather a rough start for Terry Gilliam’s solo directorial career. While 1975’s Monty Python and the Holy Grail, which Gilliam co-directed with...
This week’s edition of Tuesday Blus includes the following titles: Dunkirk (2017) - Warner Bros., Detroit (2017) - Twentieth Century Fox, Letter from an...
“I love remembering more than living. What’s the difference anyway?” murmurs the internal dialogue of Ivo, a patient recently released from a mental hospital...
Despite his prolific contributions to the succession of the spaghetti western, time has tended to obscure the reputation of director Sergio Corbucci from all but...
South Korea’s Jung Byung-gil promises all the makings of a cult filmmaker with his second narrative feature, The Villainess. Premiering in the Midnight program at the...
What seemed like a novel idea, pairing two of French cinema’s contemporary icons from opposing schools of expression (the dramatically inclined Catherine Deneuve and...
Within the omnipresent and overpowering narration guiding Barry Lyndon, a passage on the title character’s wife describes her as “not very much more important...
Agnieszka Smoczynska’s idiosyncratic directorial debut The Lure has cult classic written all over it. A fairy tale about two siren sisters in 1980’s Warsaw...
“England has always been disinclined to accept human nature,” states a congenial Ben Kingsley, playing a minor role as a doctor in the Merchant-Ivory...
Marco Ferreri remains one of the unsung provocateurs from Italy’s golden age of contemporary auteurs, an idiosyncratic conveyor of carnal desires and consuming passions...
Arrow Video resurrects one of Italian horror maestro Luci Fulci’s (the Godfather of Gore) best but most obscure titles, the enigmatically titled Don’t Torture...
Rare are the performers who can surpass the sadistic tendencies of an oligarchically inclined auteur, but there exists no finer example of this than...
“Last night I dreamt of Manderley again,” opens the famous 1938 novel Rebecca by esteemed mystery writer Daphne Du Maurier, astutely mimicked in Alfred...
Winning the FIPRESCI Prize at the 2016 Venice Film Festival, and snagging two Cesar nominations (for actress Judith Chemla and costume designer Madeline Fontaine),...
Director Jean Gremillon belongs to a select group of WWII era auteurs who were highly revered during their prolific periods (which included the duress...
One of this year’s overlooked gems, Japanese master Hirokazu Kore-eda’s After the Storm received a solemn theatrical release in March of 2017 courtesy of...
A cornerstone of Japanese cinema, Kenji Mizoguchi’s 1953 masterpiece Ugetsu at last receives an updated transfer from the Criterion collection. In the middle of...
Marcel Pagnol’s famed Marseille Trilogy receives a loving placement in the Criterion Collection after its theatrical US restoration release in early 2017 courtesy of...
France’s Francois Ozon scored one of his most critically acclaimed ventures in years with 2016’s Frantz, which was the auteur’s third time competing in...
A surprise box office hit in the first quarter of 2015 following a SXSW premiere, Alex Garland’s directorial debut Ex Machina (A24's first ever win)...
In 2007, Martin Scorsese founded the World Cinema Project, a nonprofit organization committed to restoring neglected and marginalized cinema from countries where major restorations...
Criterion re-releases one of its early additions to the collection for the first time on Blu-ray, Yasujiro Ozu’s poignant late period comedy, Good Morning...
Recently formed distribution label Grasshopper Film has already managed to build a formidable reputation by saving a number of auteur driven art-house titles from...
Remembered best for his genre infused social issue/ills films through the 1960s and 1970s, Elio Petri significant filmography has recently begun to be recuperated...
Although the thunderous awards campaign for Isabelle Huppert’s performance in Elle somewhat obscured the rightful acclaim which should have equally been bestowed upon her...