London Has Fallen: McQueen Explores Life During Wartime
Following his extensively researched 2023 documentary Occupied City, which details WWII atrocities waged against the Dutch during...
No Rest for the Wicked: Flanagan Shines with Sprawling King Sequel
Director Mike Flanagan achieves the impossible with Doctor Sleep, a cohesive and effective sequel...
Walk the Line: Lee’s Technological Prowess Yearns for More Than Earnest Wartime Narrative Can Deliver
For his first venture since 2012 Oscar winner Life of...
Success is the Best Revenge: Russell’s Embellished Portrait of the Miracle Mop
Director David O. Russell has been often praised for the depictions of women...
Two if by Sea: Howard’s Whaling Expedition Sinks to the Fathoms
Herman Melville’s 1851 novel Moby-Dick is one of the seminal epics of American literature,...
Home is Where the Hacker Is: Shyamalan’s Return to Entertaining Cinema
In many ways, The Visit, the latest film from once celebrated M. Night Shyamalan,...
Fair Weather Daydreams: Joseph’s Debut Mixes Surprising Energy into Vapid SoCo Slush
From its familiar yet nicely edited introductory credits, to its sweaty palmed electro...
The Wrath of Bland: Whedon’s Poo Poo Platter Continues
Mainstream event cinema continues to shackle box office glory and narrative familiarity to a creative deathbed...
Dirty Snow: Espinosa’s Ungainly Yet Enjoyable Soviet Era Mystery
Grazing lightly over the Soviet era politics of the period and featuring a handsome, gussied up...
Face to Face: Gabriadze’s Topical Mutation of Technological Terror
How effectively chilling it is may be arguable. But there’s no denying that Levan Gabriadze’s English...
About Last Knight: Kiriya’s Culture Club Reimagining of the Feudal System
It’s unclear for who or for what reason Japanese director Kazuaki Kiriya decided to...
Rebel Heart: Schwentke Usurps Plebeian YA Franchise
In many ways, Insurgent is an easier film to watch than its 2014 predecessor, Divergent, in which we...
About Last Night : Collet-Serra’s Latest Neeson Rating
You may not have realized it, but while the Taken trilogy was warping its course through a series...
Bippity Boppity…Boo: Branagh’s Fairy Tale for Hire
Does anyone remember when Kenneth Branagh was directing superior cinematic adaptations of Shakespeare before eventually becoming the director...
iRobot: Blomkamp’s Latest Sentimentally Inclined Sci-Fi is Pleasantly Familiar
Sentient technological constructs and expanding the definition of what constitutes the essence of consciousness as it...
Personal Best: Caro Returns to Studio Filmmaking with Feel-Good Adaptation
It’s been a while since we’ve heard anything from New Zealand director Niki Caro, who...
Ties That Bind: Taylor-Johnson’s Erotic Adaptation Forgoes a Glimpse of Eros
Playful marketing provocations, heralded by the succinct tagline “Curious?” standing out beneath black and...
Eggsy’s Game: Vaughn’s Hyperviolent Reinterpretation of the Super Spy Caper
While a release in February doesn’t speak highly of Twentieth Century Fox’s hopes for the...
Space Princess Diaries: Wachowski’s Space Adventure is Intergalactic Hooey
Those craving the intelligent sci-fi that graced their early 1999 sci-fi classic The Matrix are sure...
Parts Per Nil: McNamara Family Value Aesthetic Lessens Impact of Immigration Issues
As we meander through the opening credits of Sean McNamara’s Spare Parts, we...
Taken a Break: Megaton’s Slurpy Finish Brings Euro Schlock to L.A.
It should surprise no one that Taken 3 is a laughable, sometimes downright embarrassing...
Run Rabbit Run: Jolie’s Grimly Serious POW Reenactment
Beautifully, if sometimes too glossily mounted, Angelina Jolie’s sophomore effort as a director, Unbroken, is too poker...
Turnin’ the Beat Around: DuVernay’s Poignant, Passionate MLK Portrait Revitalizes Notions of Biopic
Eschewing what’s come to resemble a traditional route in downplaying both the...
Kens and Dolls: Wyatt Revamps Toback Prose for the Plastic Age
Working steadfastly against the success of Rupert Wyatt’s up-do of The Gambler, which was...
An Expected Finale: Jackson Brings Tolkien Saga to Thankful End
Upon reaching the end of Peter Jackson’s Hobbit trilogy with the third and final installment, renamed The Hobbit:...
The Vice is Right: Anderson’s Inherently Incoherent Pynchon Trip
For his seventh film, auteur Paul Thomas Anderson stakes a claim as the first filmmaker to...
Black to Basics: Binder’s Safely Bland Racial Message Movie
The latest film from actor/director/screenwriter Mike Binder, Black or White presents us with the possibility of...
Don’t Let’s Ask For the Moon: Nolan’s Space Opera for the Ages
At last divorcing himself from the omnipotent shadows of Batman, director Christopher Nolan’s...
Crazy in Love: Anderson’s Gothic Sprinkled Romance Deserves to be Tarred and Feathered
Fresh off the surprise box office success of 2013’s Halle Berry headlined...
This Time, It’s War: Ayer’s Latest Depiction of Men Under Fire
At last leaving behind the pulpy, sometimes overly chewy cop action/dramas he’s been churning...
Play It Again, Vlad: Shiner’s Debut Attempts to Reboot Legendary Monster
It’s a bit hard on the undead when you shackle their malevolent natures into...
I Never Served Time For My Father: Dobkins’ Middling Melodrama
Groaning beneath the weight of its desperate grandstanding for awards consideration, David Dobkins’ The Judge...
Privilege Parable: Arteta’s Trifling Adaptation of Famed Children’s’ Novel
Perhaps the most curious aspect of the live action Disney version of Judith Viorst’s 1972 children’s...
Rosemary’s Scabies: Leonetti Does His Best James Wan Impression
Sure to take its place on future lists of cinematographer’s unfortunate attempts at directing, John R....
Mazed and Confused: Ball’s Lusterless Debut Another Dystopic YA Derivative
Pretty teenagers that survive the apocalypse are sure going to have it tough. Or maybe...
Sweet, Silly November: Donaldson’s Espionage Thriller is Overbaked
Starting out with a standard template of flourishes one can find in any number of garden variety...
Tis Better to Give: Noyce’s Adaptation Too Little Too Late in YA Dystopic Cinema
In today’s onslaught of dystopic film franchises dominated by adaptations of...