Tag: Studio Films Review

Blitz | Review

London Has Fallen: McQueen Explores Life During Wartime Following his extensively researched 2023 documentary Occupied City, which details WWII atrocities waged against the Dutch during...

Doctor Sleep | Review

No Rest for the Wicked: Flanagan Shines with Sprawling King Sequel Director Mike Flanagan achieves the impossible with Doctor Sleep, a cohesive and effective sequel...

Fantastic Beasts and Where to Find Them | Review

Beasts of Burden: Yates Falters in CGI Heavy Harry Potter Prequel After taking a break from adapting Harry Potter films (he was responsible for the...

Billy Lynn’s Long Halftime Walk | Review

Walk the Line: Lee’s Technological Prowess Yearns for More Than Earnest Wartime Narrative Can Deliver For his first venture since 2012 Oscar winner Life of...

Joy | Review

Success is the Best Revenge: Russell’s Embellished Portrait of the Miracle Mop Director David O. Russell has been often praised for the depictions of women...

In the Heart of the Sea | Review

Two if by Sea: Howard’s Whaling Expedition Sinks to the Fathoms Herman Melville’s 1851 novel Moby-Dick is one of the seminal epics of American literature,...

The Visit | Review

Home is Where the Hacker Is: Shyamalan’s Return to Entertaining Cinema In many ways, The Visit, the latest film from once celebrated M. Night Shyamalan,...

We Are Your Friends | Review

Fair Weather Daydreams: Joseph’s Debut Mixes Surprising Energy into Vapid SoCo Slush From its familiar yet nicely edited introductory credits, to its sweaty palmed electro...

Avengers: Age of Ultron | Review

The Wrath of Bland: Whedon’s Poo Poo Platter Continues Mainstream event cinema continues to shackle box office glory and narrative familiarity to a creative deathbed...

Child 44 | Review

Dirty Snow: Espinosa’s Ungainly Yet Enjoyable Soviet Era Mystery Grazing lightly over the Soviet era politics of the period and featuring a handsome, gussied up...

Unfriended | Review

Face to Face: Gabriadze’s Topical Mutation of Technological Terror How effectively chilling it is may be arguable. But there’s no denying that Levan Gabriadze’s English...

Last Knights | Review

About Last Knight: Kiriya’s Culture Club Reimagining of the Feudal System It’s unclear for who or for what reason Japanese director Kazuaki Kiriya decided to...

Get Hard | Review

The Harder They Fall: Cohen Takes Us Back To Racial Stereotypes of Yore Screenwriter Etan Cohen makes his directorial debut with Get Hard, a crass,...

The Gunman | Review

The Gun Show: Morel’s Failed Fashioning of Penn Into Unlikely Action Star If anything, it’s safe to say that The Gunman, the latest film from...

Insurgent | Review

Rebel Heart: Schwentke Usurps Plebeian YA Franchise In many ways, Insurgent is an easier film to watch than its 2014 predecessor, Divergent, in which we...

Run All Night | Review

About Last Night : Collet-Serra’s Latest Neeson Rating You may not have realized it, but while the Taken trilogy was warping its course through a series...

Cinderella | Review

Bippity Boppity…Boo: Branagh’s Fairy Tale for Hire Does anyone remember when Kenneth Branagh was directing superior cinematic adaptations of Shakespeare before eventually becoming the director...

Chappie | Review

iRobot: Blomkamp’s Latest Sentimentally Inclined Sci-Fi is Pleasantly Familiar Sentient technological constructs and expanding the definition of what constitutes the essence of consciousness as it...

Focus | Review

The Grift of Love: Ficarra & Requa’s Perfunctory Take on the Art of the Con Those hoping for a scintillating update on the con-artist sub-genre...

McFarland, USA | Review

Personal Best: Caro Returns to Studio Filmmaking with Feel-Good Adaptation It’s been a while since we’ve heard anything from New Zealand director Niki Caro, who...

Fifty Shades of Grey | Review

Ties That Bind: Taylor-Johnson’s Erotic Adaptation Forgoes a Glimpse of Eros Playful marketing provocations, heralded by the succinct tagline “Curious?” standing out beneath black and...

Kingsman: The Secret Service | Review

Eggsy’s Game: Vaughn’s Hyperviolent Reinterpretation of the Super Spy Caper While a release in February doesn’t speak highly of Twentieth Century Fox’s hopes for the...

Jupiter Ascending | Review

Space Princess Diaries: Wachowski’s Space Adventure is Intergalactic Hooey Those craving the intelligent sci-fi that graced their early 1999 sci-fi classic The Matrix are sure...

Spare Parts | Review

Parts Per Nil: McNamara Family Value Aesthetic Lessens Impact of Immigration Issues As we meander through the opening credits of Sean McNamara’s Spare Parts, we...

Taken 3 | Review

Taken a Break: Megaton’s Slurpy Finish Brings Euro Schlock to L.A. It should surprise no one that Taken 3 is a laughable, sometimes downright embarrassing...

Unbroken | Review

Run Rabbit Run: Jolie’s Grimly Serious POW Reenactment Beautifully, if sometimes too glossily mounted, Angelina Jolie’s sophomore effort as a director, Unbroken, is too poker...

Selma | Review

Turnin’ the Beat Around: DuVernay’s Poignant, Passionate MLK Portrait Revitalizes Notions of Biopic Eschewing what’s come to resemble a traditional route in downplaying both the...

The Gambler | Review

Kens and Dolls: Wyatt Revamps Toback Prose for the Plastic Age Working steadfastly against the success of Rupert Wyatt’s up-do of The Gambler, which was...

Big Eyes | Review

Soul Windows: Burton Returns to the Biopic with Flagging Interest Long judged as a director clearly intent on recycling the same motif, themes, and...

The Hobbit: The Battle of Five Armies

An Expected Finale: Jackson Brings Tolkien Saga to Thankful End Upon reaching the end of Peter Jackson’s Hobbit trilogy with the third and final installment, renamed The Hobbit:...

Inherent Vice | Review

The Vice is Right: Anderson’s Inherently Incoherent Pynchon Trip For his seventh film, auteur Paul Thomas Anderson stakes a claim as the first filmmaker to...

Exodus: Gods and Kings | Review

Death on the Nile: Scott’s Biblical Epic Unworthy of the Gods Arriving just in time for ritual slaughter is Ridley Scott’s update on the Moses...

Black or White | Review

Black to Basics: Binder’s Safely Bland Racial Message Movie The latest film from actor/director/screenwriter Mike Binder, Black or White presents us with the possibility of...

The Hunger Games: Mockingjay – Part 1 | Review

The Games They Play: Collins’ YA Dystopia Trudges On and On As is now customary in the designed business model of franchise movie making,...

Interstellar | Review

Don’t Let’s Ask For the Moon: Nolan’s Space Opera for the Ages At last divorcing himself from the omnipotent shadows of Batman, director Christopher Nolan’s...

Stonehearst Asylum | Review

Crazy in Love: Anderson’s Gothic Sprinkled Romance Deserves to be Tarred and Feathered Fresh off the surprise box office success of 2013’s Halle Berry headlined...

Fury | Review

This Time, It’s War: Ayer’s Latest Depiction of Men Under Fire At last leaving behind the pulpy, sometimes overly chewy cop action/dramas he’s been churning...

Dracula Untold | Review

Play It Again, Vlad: Shiner’s Debut Attempts to Reboot Legendary Monster It’s a bit hard on the undead when you shackle their malevolent natures into...

The Judge | Review

I Never Served Time For My Father: Dobkins’ Middling Melodrama Groaning beneath the weight of its desperate grandstanding for awards consideration, David Dobkins’ The Judge...

Alexander and the Terrible, Horrible, No Good, Very Bad Day | Review

Privilege Parable: Arteta’s Trifling Adaptation of Famed Children’s’ Novel Perhaps the most curious aspect of the live action Disney version of Judith Viorst’s 1972 children’s...

Annabelle | Review

Rosemary’s Scabies: Leonetti Does His Best James Wan Impression Sure to take its place on future lists of cinematographer’s unfortunate attempts at directing, John R....

The Maze Runner | Review

Mazed and Confused: Ball’s Lusterless Debut Another Dystopic YA Derivative Pretty teenagers that survive the apocalypse are sure going to have it tough. Or maybe...

This is Where I Leave You | Review

This is Where I Judge You: In the Great Well of Family Drama, Levy Is Dry Based on the acclaimed novel by Jonathan Tropper, who...

As Above So Below | Review

Devil in Distress: The Dowdle Bros. Spelunk Their Way to Hell Known as acolytes of fallen angel M. Night Shyamalan, the output of the Dowdle...

The November Man | Review

Sweet, Silly November: Donaldson’s Espionage Thriller is Overbaked Starting out with a standard template of flourishes one can find in any number of garden variety...

Sin City: A Dame to Kill | Review

Love the Sinner: Miller & Rodriguez Bring Back Hyperstylized Noir with Mixed Results It has been almost a decade since the visually innovative Sin...

The Giver | Review

Tis Better to Give: Noyce’s Adaptation Too Little Too Late in YA Dystopic Cinema In today’s onslaught of dystopic film franchises dominated by adaptations of...

Into the Storm | Review

Storm Drain of the Century: The Disaster Film Gets a Retrofit It’s unclear if there’s any real point to the rather silly conception of...

Get On Up | Review

The F in Funk: Brown’s Biopic Lodged in a White Man’s World For all the preliminary grumbling about white actors portraying Egyptians in a...

Guardians of the Galaxy | Review

Rocket Fuelled; Gunn Pleasures Summer PG-Spot It's the end of the world as we know it. Or so the popcorn films of the summer thus...

Popular

La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...

Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...

The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...