Tag: Foreign Film Review
Benedetta | Review
Blaspheme, Queen: Verhoeven Turns to Nunsploitation in Erotic Melodrama
Occupying a dazzling intersection of exploitation and queer historical recuperation is the long-awaited Benedetta from Dutch...
The Hand Of God | Review
Idle Hands: Sorrentino’s Sprawling Saga a Wayward Bildungsroman
There’s almost as much to admire as there is to dismiss in The Hand of God, Paolo...
Drive My Car | Review
Lamprey Love: The Play’s the Thing in Hamaguchi’s Brooding Saga of Regrets
“When one has no real life, one lives on illusions,” is one of...
Bad Luck Banging or Loony Porn | Review
Stand & Deliver: Jude Doubles Up on the Viral in Kangaroo Court
Leave it to Radu Jude to take a sad song and make it...
Uppercase Print | Review
Capital Crimes: The Play’s the Thing in Jude’s Rendering of Secret Police Files
Romanian director Radu Jude lets no grass grow under his feet, back...
Spencer | Review
In the Name of the Rose: Larrain Crafts Empathetic Portrait of an Icon in Anguish
The eternal impact of Diana, Princess of Wales, whose...
Sisters | Review
O Brother, Where Art Thou?: Benguigui Explores Fractured Cultural Identities in Meta Drama
It’s been two decades since French-Algerian filmmaker Yamina Benguigui released her exceptional...
Last Night in Soho | Review
Profondo Glosso: Wright Falters with Glossy, Pseudo-Feminist Ghost Story
Opening upon joyful musical reverie and descending into vibrant color palettes, Edgar Wright’s attempt at...
The Electrical Life of Louis Wain | Review
Wain’s World: Sharpe Presents Loving Portrait of an Artist
It’s odd to reflect upon a time when felines weren’t regarded as a stereotypical domesticated fur...
The French Dispatch | Review
Repetition Commission: Anderson Flatlines with Twee Aesthetic
Since cinema requires a semblance of participation by the audience, a passive relationship of sorts, the latest curio...
Anatomia | 2021 Warsaw International Film Festival Review
Anatomy of a Memory: Jankowska Dissects the Poetics of Belonging Nowhere
Part of the what could be coined as a niche genre of ‘melancholic European...
Meeting Point | 2021 Warsaw International Film Festival Review
Nighttime is the Right Time: two unlikely companions navigate a liminal Istanbul in Evirgen’s one-night odyssey
Sometime in the early naughts, a certain type of...
Wheel of Fortune and Fantasy | Review
Flesh+Fantasy: Hamaguchi Harvests Regrets in Eloquent Triptych
One of Japan’s most compelling and profound contemporary auteurs is Ryusuke Hamaguchi, a purveyor of the barely contained...
I Am Fine, Thanks | 2021 Warsaw International Film Festival Review
Love, Deliver Us From Evil: Jankauskas Undercooks His Fiery Dive into Destructive Perfectionism
A flock of particularly belligerent rubber ducks floats toward Maria (Gabija Siurbytė),...
Fever Dream | Review
Threadlock: Llosa Drifts into Elegant Nightmare with Faithful Adaptation
For her fourth feature, Peruvian director Claudia Llosa adapts Samanta Shweblin’s enigmatic novel Fever Dream, a...
Bergman Island | Review
The Passion of Mia: Hansen-Love Makes Her Own Place at the Table
For her complex and absorbing seventh feature, Bergman Island, Mia Hansen-Løve returns to...
The Hill Where Lionesses Roar | 2021 Warsaw International Film Festival Review
Roar of a Generation: Bajrami Looks Beyond the Hills of Kosovo
It’s 2021 in a small town situated somewhere in Kosovo and yet everything feels...
Hit the Road | 2021 New York Film Festival Review
Take the Wheel, My Son: Panahi’s Character-Driven Exodus
Hit the Road is equal parts hilarious and devastating. Tracking an Iranian family while they try to...
Titane | Review
Car Crash Set: Ducournau Crafts a Cult Classic with Grotesque Odyssey of Dysfunction
In J.G. Ballard’s seminal 1973 cult novel Crash, infamously adapted in 1996...
Inexorable | 2021 Toronto Intl. Film Festival Review
The Hand that Mocks the Cradle: Du Welz Finds an Interloper in Vintage Throwback
Long before a lithesome ingenue shows up to ruin a wealthy...
Captain Volkonogov Escaped | 2021 Venice Film Festival Review
Can You Ever Forgive Me?: Chupov & Merkulova Explore Redemption in Scathing, Dramatic Thriller
For their third feature, Captain Volkonogov Escaped, directors Aleksey Chupov...
Ariaferma (The Inner Cage) | 2021 Venice Film Festival Review
Guards and Monsters: Costanzo Finds Humanity in Balanced Ratios
Utilizing the novel opportunity of how power wanes in the crumbling of an institution’s viability, Italian...
Promises | 2021 Venice Film Festival Review
Broken is the Golden Bowl: Kruithof Rips at the Red Tape in Character Driven Political Drama
It’s not so much politics as usual in Les...
Anne at 13,000 Ft. | Review
Cyclo Maladroit: Social Safety Nets Deployed in Radwanski’s Latest
A Canadian agit dramaturgist whose portraits can be described as deeply humanist, in his third feature...
Wildland | Review
Wild in the Streets: Nordahl’s Debut Spins on Devotional Dysfunction
The family crest for the sinister brood at the heart of Jeanette Nordahl’s directorial debut...
Wife of a Spy | Review
Spy Game: Kurosawa Finds Passion & Terror in History’s Gloom
One doesn’t tend to associate period melodrama or espionage with Kiyoshi Kurosawa, a perennial genre...
The Unknown Man of Shandigor (1967) | 2021 Fantasia Film Festival Review
Cold Cuts: Roy’s Nuclear Spy Thriller Renews Its Half-Life
In The Unknown Man of Shandigor, one can experience a cinematic time capsule of corresponding themes...
Medea | 2021 Locarno Film Festival Review
Who Could Kill a Child?: Zeldovich Explores a Fearful Symmetry in Modernized Tragedy
Russian director Alexander Zeldovich’s filmography is something of a curiosity unto itself,...
She Will | 2021 Locarno Film Festival Review
She Wants Revenge: Colbert Commingles Traumas for a Witchy Saga
Director Charlotte Colbert delivers a moody character portrait mired in the mysteriousness of folk horror...
The Macaluso Sisters | Review
Sister Acts: Dante Wallows in Tragedy Defined Sisterhood
Director Emma Dante spins a melancholic web of familial woe following five women defined by tragic circumstances...
Never Gonna Snow Again | Review
Intimate Strangers: Szumowska & Englert Explore Despondency & Isolation
Our innate capacity for constructing the vehicles of our own alienation and ennui inform the backdrop...
Mama Weed | Review
Selective Affinities: High-Fives for Huppert & Hannelore Cayre in Vivacious French Neo-noir
Often described as cold, icy, impassive, and inscrutable, the performances of Isabelle Huppert,...
Annette | Review
Henry Fool: Music & Misogyny Explored in Glossy Return of Carax
Like nearly all of Leos Carax’s films over the past thirty years (of which...
A Hero | 2021 Cannes Film Festival Review
Purse First: Farhadi Brings Agony and Ecstasy in Latest Social Drama
Robert Burns’ eternal passage, cribbed by Steinbeck, “the best laid schemes o’ mice and...
Medusa | 2021 Cannes Film Festival Review
O Kill, All Ye Faithful: Da Silveira Kills the Teen Dream in Capricious Sophomore Film
If there’s anything for certain in approaching Medusa, the extravagantly...
Bruno Reidal, Confession of a Murderer | 2021 Cannes Film Festival Review
The Killer Inside Me: Le Port Mines the Makings of a Murderer in Detached True Crime Sketch
Director Vincent Le Port revisits a chilling murder...
La Fracture | 2021 Cannes Film Festival Review
Conqueror Worms: Corsini Juggles Metaphors in Strangely Asymmetrical Social Issue Film
Director Catherine Corsini metastasizes an ensemble exercise for her eleventh feature, La Fracture, a...
The Employer and the Employee | 2021 Cannes Film Festival Review
Bargaining Basement: Zas Presents a Touch of Caste in Free Market Melodrama
The working class do not go to heaven in Manuel Nieto Zas’ third...
Softie (Petite nature) | 2021 Cannes Film Festival Review
Sharp Shock to Your Soft Side: Theis Mines the Uncomfortable Realities of Sexuality
In the one-hundred-and-twenty-five years since the detrimental trials of Oscar Wilde and...
Tom Medina | 2021 Cannes Film Festival Review
The Man Without a Country: Gatlif Explores the Tribulations of Redemption in Oblique Character Study
French-Algerian director Tony Gatlif remains something of a European anomaly...
The Hill Where the Lionesses Roar | 2021 Cannes Film Festival Review
Hear Them Roar: Bajrami Shouts an Outcry on Female Subjugation
Luàna Bajrami, who appeared as the maid in Celina Sciamma’s Portrait of a Lady on...
Genus, Pan | Review
Three Amigos: Diaz Explores Featherless Bipeds in Latest Leisurely Expose on Baseness
Running time is always a point of contention when it comes the cinema...
God Exists, Her Name is Petrunya | Review
Cross to Bear: Mitevska’s Playful Yet Potent Critique of the Heteropatriarchy
Disarming thanks to its charming tone, which could mistakenly be defined as slight, Macedonian...
Gaia [Video Review]
Fungus Among Us: Bouwer Delivers Eco-Horror Slow Burn
Ecological horror films have taken on a somewhat lusty, unprecedented gravity in the wake of the COVID-19...
Sweat | Review
Fitness for the Prosecution: Von Horn Sings Song for the Lonely in the Digital Age
In the digital age, perhaps now more than ever, love...
Summer of 85 (Été 85) | Review
Summertime Sadness: Ozon Casts Yonder Glance at the Boys of Summer
Rare is the year without a fresh offering from perennial French favorite François Ozon,...
Roaring 20’s | 2021 Tribeca Film Festival Review
Walking & Talking: Vogler Captures the Bustling & Bebopping of Distinctive Parisian Summer
Decades from now, the cinematic impact of projects conceived of and filmed...
Undine | Review
Till Human Voices Wake Us: Petzold Gets Mythologically Romantic
A classical figure of mythology and beyond, the Undine (or Siren), a water nymph creature who’s...
My Tender Matador | Review
Pray Away the Pinochet: Sepulveda Cruises Castro with Striking Adaptation
While there’s a bounty of burgeoning directors who have grown out of the New Chilean...
The Retreat [Video Review]
The Hateful Straights: Mills Finds Bigots in the Backwoods in Exploitation Effort
One of the many silver linings of genre filmmaking is the powerful...
