Tag: Foreign Film Review
The Dog Who Wouldn’t Be Quiet | 2021 Sundance Film Festival Review
If We Shadows Have Offended: Katz Gives the Dogs Their Day in Curious Metaphorical Journey
Perhaps it will be difficult for some to makes heads...
Knocking | 2021 Sundance Film Festival Review
Only This and Nothing More: Kempff Explores Cultural Gaslighting in Parochial Thriller
As in the timeless singsong of Poe’s classic poem “The Raven,” ‘suddenly there...
Beginning | Review
Carpet Burn: Kulumbegashvili Unnerves with Exacting Debut of Violence and Veneration
For decades, the international presence of Georgian cinema was thanks (mostly) to the output...
True Mothers | Review
Mother Has Arrived: Kawase Returns with Intersecting Drama on Motherhood
Recently, Naomi Kawase, a staple amongst arthouse enthusiasts of Japanese cinema, has been drifting ever...
Preparations to Be Together for an Unknown Period of Time | Review
Lover Come Back: Horvat Forges Queasy Love Connection with Projections and Perceptions
For her sophomore narrative feature, the intoxicatingly titled Preparations to Be Together for...
Hunted [Video Review]
Once Upon a Time in Belgium: Paronnaud Goes into the Woods for Violent Retro-Fairytale
The notion of the wolf in sheep’s clothing busts into blurred...
The Dig [Video Review]
Sutton Hoo! Sutton Hay!: Stone Goes Deep in Recuperation of Notable Excavation
Director Simon Stone returns to a particular place during a particular period in...
Shadow in the Cloud | Review
A Face in the Cloud: Liang Cruises on Kooky with WWII Sci-Fi
There’s something to be said for a bonkers mishmash of genre tones and...
Dear Comrades! | Review
24-Hour Party People: Konchalovsky Examines Propaganda and Protests in Reenactment of Infamous Massacre
Sporting one of the most fascinating filmographies of any Russian (or any...
Pinocchio | Review
Nose the Ropes: Garrone Renovates Collodi’s Classic Children’s Text
Sometime over the past century, the cinematic conception of the fairy tale has enabled a movement...
Hunter Hunter [Video Review]
Sheep Thrills: Linden Gets Under Your Skin with Slow Burn Thriller
Canada’s Shawn Linden certainly leaves a lasting impression with his third outing, Hunter Hunter,...
Wild Mountain Thyme [Video Review]
Birds & Bees: Shanley Returns with Shopworn Romance
Director John Patrick Shanley returns with his third feature Wild Mountain Thyme, based on his own 2014...
The Weasels’ Tale [Video Review]
Pop Goes the Remake: Campanella Returns with Ghoulish Remake of Black Comedy
In the 2000s, the New Argentine Cinema gained international prominence thanks to a...
Yalda, a Night for Forgiveness | Review
Killer Ratings: Bakhshi Brings Reality Television Gimmickry to Morbid, Potential Levels
To err is human, to forgive divine---or so we’ve come to accept as a...
Education | Review
School of Crock: McQueen Turns His Eyes to the Stars in Final Anthology Installment
Across five films spanning a period of 1969 to 1982, Steve...
Luxor | Review
Hotel Spell: Durra Explores the Tenuousness of the Present Through Romance of the Past
She hasn’t quite lost that loving feeling, which seems to be...
Another Round | Review
The Libation Bearers: Vinterberg Explores a Collective Mid-life Crisis in Boozy Black Comedy
Thomas Vinterberg returns to his favored motifs, experimental behavioral portraits of Danish...
Alex Wheatle | Review
Odds Against Tomorrow: McQueen’s Anthology Explores Tribulations of Famed Novelist
For the fourth installment of his five-title Small Axe anthology series, director Steve McQueen recuperates...
Red, White and Blue | Review
A Bridge Too Far: McQueen Explores the Inherent Sacrifice of Community Service in Straightforward Drama
With Red, White and Blue, the third film in Steve...
The Life Ahead [Video Review]
In the Mood for Loren: Ponti Resurrects an Icon in Reticent Remake
It’s been over a decade since iconic Italian actress Sophia Loren appeared...
Stardust [Video Review]
Stars Are Blind: Range Paints a Portrait of the Bowie as a Young Man
The risk with creating a project about a major cultural icon...
Lovers Rock | Review
Joyful Noise: McQueen Makes the People Come Together in First “Small Axe” Segment
Director Steve McQueen surprises with Lovers Rock, the second leg of his...
Monsoon [Video Review]
Weathering Heights: Khaou Searches for Solace in Stodgy Travelogue
The adage born from Thomas Wolfe’s sentiment notwithstanding, the act of revisiting one’s origins through a...
Wolfwalkers | Review
The Call of the Wild: Moore Crafts Exceptional Animated Odyssey in Third Outing
Another example of how rich cultural subtexts can be reformatted for profound...
Mangrove | Review
All for Notting Hill: McQueen Paints the Power of Resistance in Period Courtroom Drama
The first of five installments from Steve McQueen’s “Small Axe” anthology,...
Sleepless Beauty [Video Review]
To Sleep, Perchance to Scream: Khvaleev Gets Re-creative with Mind Control
Mind control is the name of the game in Sleepless Beauty, the fourth feature...
Ammonite | Review
The Shell Seekers: Lee Recuperates a Scientist’s Legacy in Languid Love Story
As its title suggests, Ammonite, the sophomore feature from burgeoning director Francis Lee,...
Divine Love | Review
Mighty Aphrodite: Mascaro’s Second Coming Cloaked in Complex Allegory
The Immaculate Conception remains one of the notorious suspensions of disbelief in Christian folklore, and Brazilian...
Dirty God | Review
A Woman’s Face: Polak’s Tender Melodrama Explores Struggle for Self-Love
With her third narrative feature, Dirty God, which also stands as her English language debut,...
Kindred | Review
Gaslight of My Life: Marcantonio Debuts a Familiar Slice of Maternal Psychodrama
“She giveth life and take it away” could have been a fitting tagline...
Mortal [Video Review]
From the Norse’s Mouth: Ovredal Reclaims a Cultural Asset with Unsatisfactory Results
Reclaiming ownership over a reappropriated cultural facet is no easy task, especially when...
Fire Will Come | Review
Fire Walk with Me: Laxe Anchors an Arsonist in Meditative Portrait
If fire is the regenerative metaphor of the phoenix, the same cannot be said...
Koko-di Koko-da | Review
It’s All About Love: Nyholm Returns with Absurdist Allegory on Relationships
If Groundhog Day (1993), the well-liked Bill Murray title about a weatherman who is...
His House [Video Review]
Death as a House: Weekes Finds Woe in Immigration Horror
It’s a trauma so innately horrific on the surface the thought of collapsing it into...
Fairy | 2020 TIFF Digital Cinema Pro Review
Comrade Christ: Melikyan Muses on the Motherland Through the Eyes of Another Waif
Even through their desperate avatars, the oligarchy overrules the Russian populace, one...
Ghosts | 2020 Warsaw International Film Festival Review
Panoptic prison: Okyay’s wonderfully dark debut puts Turkey under surveillance
Turkish filmmaker Azra Deniz Okyay's directorial debut uses micro-stories to discuss substantial socio-political issues. Titled Ghosts,...
Martin Eden | Review
The Working Class Goes to Heaven: Marcello Retrofits London’s Ruminations on Superficial Social Status
Pietro Marcello brings his unconventional sensibilities to new heights with Martin...
Havel | 2020 Warsaw International Film Festival Review
Polarizing Play: Horák’s Questionable Take on the Hero of the Velvet Revolution
Covering the personal timeline of any major politician would be a daunting task...
Unidentified | 2020 Warsaw Intl. Film Festival Review
Lethal Weapon: Apetri’s Intricate & Unpredictable Tale of Revenge Dips into The Swamp
After tackling social realism with genre filmmaking underpinnings in Outbound, Romanian director...
Spiral | 2020 Warsaw International Film Festival Review
Meandering with the Living and...the Dead: Felméri Offers Absorbing Sunken Lake Drama
In Spiral, the dead don’t come back, but rather, they attempt to haunt...
Eternal Beauty | Review
Unhappy-Go-Lucky: Hawkes Shines in Roberts’ Mental Illness Drama
The depiction of mental illness, particularly something like schizophrenia, a real condition often posed as a catch-all...
Possessor Uncut | Review
The Mind Benders: Cronenberg Returns with Eerie Exercise of Mind/Body Horror
Eight years after his 2012 debut Antiviral, Brandon Cronenberg returns with Possessor Uncut, an...
Misbehavior | Review
Through Beauty, Equality: Lowthorpe Examines Intersections Through Provocative Period Nexus
Sporting material speckled with enough players and perspectives to justify a much longer format, Philippa...
The Nest | Review
Bonfire of the Wannabes: Durkin Returns with Scenes from a Consumerist Marriage
Sean Durkin, at last, returns with sophomore feature The Nest nine years after...
Sibyl | Review
Doctor Strange: Triet Gets Tricky with Autofiction Affair
Reuniting with Virginie Efira, the lead from her 2016 sophomore breakout Victoria (aka In Bed with Victoria),...
In Between Dying | 2020 Venice Film Festival Review
In the Mood for Love: Baydarov Searches for a Real Love in Enigmatic Road Trip
All you need is love, if you can find it,...
The Best Is Yet to Come | 2020 Venice Film Festival Review
Disease Beat: Jing Revisits the Turn of the Century with Saccharine Debut
Whenever the protégé of a major contemporary auteur branches out into their own...
Cuties | Review
L’amener Sur: Doucouré’s Debut a Winning, Familiar Bildungsroman
French writer/director Maïmouna Doucouré strikes a mostly affable balance between familiar coming-of-age tropes and culturally specific intersections...
The Furnace | 2020 Venice Film Festival Review
Easier for a Camel: MacKay Unearths Troubling History in Revisionist Western Debut
Like Jennifer Kent before him with 2018’s The Nightingale, director Roderick MacKay mines...
Apples | 2020 Venice Film Festival Review
Blight of My Life: Nikou Finds Meaning Through Its Absence in Exceptional Debut
Somewhere along the way, the Greek Weird Wave has seemingly evolved from...
