Not your run-of-the-mill future film festival selection, filmmakers Gael García Bernal (Déficit), Anurag Kashyap (Gangs of Wasseypur), Sebastián Silva (Nasty Baby), Shion Sono (Suicide Club), Natasha Khan...
Sundance, Berlin, Venice and Toronto film fest programmers would all agree --- there is a refined and fertile cinema chez So Yong Kim. In Between Days, Treeless...
A micro indie L'Avventura-esque meets Miss Bala like oddity presented at the U.S in Progress (2015 Paris Champs-Élysées Film Festival edition), Logan Sandler reteams with...
Steve Karmen's 70s radio jingle certainly comes to mind when considering the body of work from the likes of Scorsese, Spike Lee, Woody Allen. We can...
Taika Waititi's connection with the Sundance Film Festival has been a longstanding one. His constantly evolving funny bone swagger (aided and abetted alongside muse...
Distributor TWC-Radius managed a difficult feat with an inspired marketing campaign for the release of foreign arthouse horror film Goodnight Mommy, the excellent directorial...
Supported by the same folks who brought us Mona Fastvold's The Sleepwalker (Sundance 2014) and accompanied by the Borderline Films crew (who need no...
With their unique vérité aesthetic brand, one that shuffles the deck of conventional docu-filmaking rules and techniques (our Jordan M. Smith recently called it...
She was on solid grounds workshopping her debut film at multiple Sundance Institute labs and it yielded notable stops at the Berlin, SXSW, Deauville...
Still relatively new in the distrib game, Bleecker Street has been keen on including film fest premieres for their individual film release strategies and...
More than any other period in film history, the popularity for the docu-form means we are in its healthiest and perhaps most inundated moment. With various quality...
With one of last year's Sundance intoxicatingly cute natured discoveries in Lola Kirke (from Noah Baumbach's Mistress America) toplining, the reasonable five-year morphing phase into a...
Naturally the post production process can be a lengthier one when latticeworking critical sci-fi elements with technical aspects. As is the nature with our set of...
Despite his lengthy filmography as a scribe (mostly Thomas Vinterberg's righthand man Submarino, The Hunt and upcoming The Commune) and his previous outings as...
Climbing up the ranks with mostly writing and directing television gigs (this includes a handful of "Downton Abbey" episodes), Andy Goddard flew under the radar...
The Eyes Have It: Ray’s Unnecessary Remakes Pales Next to Source
Thanks to mainstream America’s huffy dismissal of subtitles when it comes to cinema, we...
Subliminal Criminal: Haley’s Debut Feloniously Familiar
There’s a certain amount of smarmy appeal to justify Jackie Earle Haley’s attraction to taking on Criminal Activities, the...
To Kill a Mockingjay: Lawrence Brings YA Franchise to Inevitable Denouement
The last tony gasp of Suzanne Collins’ celebrated Hunger Games franchise is steered, at...
Locked Out of Heaven: Haynes Delivers Chilly Lesbian Romance
Todd Haynes makes an exciting return with Carol, his first feature film since 2007’s I’m Not...
The Wind Beneath Her Wings: Kavaite’s Sapphic Sophomore Sighs
Sophomore is an adjective that serves as a pun to describe Alante Kavaite’s latest film, The...
Man Trouble: Rad Enters Race for Worst Film Ever Made
A unique oddity even amongst contemporary counterparts competing for notoriety as one of the worst...
After producing (as one-third of the Borderline Films crew) such seminal films as Antonio Campos' Afterschool and Sean Durkin's Martha Marcy May Marlene, its...