The Mountain
For his acerbic, contre-courant, alive cinema and his brand of sagacity in the back to back offerings of The Comedy (2012) and Entertainment...
If Beale Street Could Talk
Film historians will likely do a poor job in describing the resounding support, everyone onboard and all-aboard of the Moonlight...
Tyrel
You can wager on the cinema offerings of the Brooklyn based, Santiago born Sebastián Silva to be bold, the comedy to be subversive, and rather...
Isle of Dogs
Embarking on his ninth feature film, second stop-animated project, and third straight collab with Production Designer Adam Stockhausen (2012's Moonrise Kingdom, 2014's...
The Beach Bum
With the possibility of making this a true immersive experience (ordrama?!), much like the cult status of previous numbers, Harmony Korine's reefer...
Vox Lux
Haneke, Bonello, Von Trier, Campos, Ostlund, Assayas, Hansen-Løve, Baumbach. He cut his teeth working with some of the most gifted filmmakers of our...
Gloria
His second consecutive English language feature is a retooling, and not necessarily a remake of his 2013 critically well received drama of the same...
Wendy
A long awaited follow up sophomore film, Benh Zeitlin has been keeping busy as of last in composing the music for Jonas Carpignano’s Mediterranea...
Donnybrook
With a film budget that likely surpassed the total coin amount of his first three films combined, Tim Sutton (a featured IONCINEPHILE alumn) moves into...
Private Life
She takes her time between projects and the great news late last year was the rollout of Private Life for Sundance 2018. Tamara Jenkins’ third...
Under the Silver Lake
With filming having taken place in October of 2016, David Robert Mitchell's highly anticipated third film is slowly being positioned for a stealthy...
Duck Butter
The cerebral, analytical, politically charged Beatriz at Dinner might have been a turning point for Miguel Arteta, and we're feeling that a new mantra...
I Think We're Alone Now
The swiss army knife of women filmmakers, fittingly, Reed Morano's sophomore project panned out to be the amalgamation of masterful...
Leave No Trace
Only her third feature fiction film following Down to the Bone (2004) and Winter’s Bone (2010), it always feels like a true cinematic event...
The Land of Steady Habits
Treading familiar waters but nonetheless, her output always feels fresh, The Land of Steady Habits actually counts as a first for veteran...
Destroyer
She didn't exactly lose her footing, but Karyn Kusama found herself in the dream scenario moving directly from indiewood Sundance accolades to Hollywood misfires...
Madeline's Madeline
We slotted Josephine Decker's Madeline's Madeline at the number #24 slot, but post-Sundance, we sort of wished we had ranked this masterwork (no...